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Connie Norman

Pots at Rest @ The Clay Studio

 At the end of the summer I got a pretty exciting email from The Clay Studio in Philadelphia. I was invited to be in the Pots at Rest show by Elizabeth Robinson, which is in the gallery now. (side note I got to interview Beth on my blog a few months ago, if you’re  not familiar with her work please make the jump the to her incredible interview.) I have to tell you the thoughts that were going through my head when I opened the email. First of all I do subscribe to The Clay Studio’s newsletters, so I assumed this email was a newsletter. The title of email was “Show Invite”, but somehow my brain did not register this. I begin to read the contents of the email, it started with:

“Dear Connie

In the fall of 2012 The Clay Studio will undertake an exciting project that explores the relevance of handmade dinnerware in the 21st century. The project includes two exhibitions, one focused on the tableware of Derek Au, and the other a group exhibition, which I am hopeful you will be a part of, (this sentence didn’t even register again) titled Pots at Rest. Lectures, and a public project titled the Guerilla Mug Assault (The Clay Studio was honored to be a 2012 Knight Foundation Arts Challenge recipient for this project, one of thirty-five to receive funding selected from the 1,260 plus applicants submitted) are also programmed during these exhibits running August 17th  September 30th, 2012…….”

At this point I started thinking, “Oh sounds like a nice show, but I won’t be in Philadelphia anytime soon, can’t see the show, I think I’m done with this email and I’m going to hit the delete button. But somehow I keep reading… Three more paragraphs about the show Pots at Rest, yada, yada, yada, then suddenly I see, “I hope that you will agree to participate in this really exciting exhibition!” What! What exhibition! What are they talking about! What! I’m so glad that somehow the baseball bat finally made contact with my head and I realized that I was being asked to be in a show!!!!  Woot! Woot!

This is a dream come true!!! On the rare occasions that I have the opportunity to visit Philadelphia I’ve always gone to the Clay Studio and dreamed of having studio space, dreamed of being included into a show, now I’m delighted to say that I am in Pots at Rest at the Clay Studio.

Scroll down to read The Clay Studio’s description of Pots at Rest. 

Here is one of Elizabeth Robinson’s timeless plates. Then on to the show!

Here are some pictures of Pots at Rest @ The Clay Studio.

Here is the part of the show that Elizabeth Robinson curated. She I love the collection of pots she put together.

The Clay Studio’s description of Pots at Rest. 

Pots at Rest engages eight ceramicists as curators and exhibiting artists: Kari Radasch, Elizabeth Robinson, Lorna Meaden, Ingrid Bathe, Brian Jones, Munemitsu Taguchi, Matthew Hyleck, and Joseph Pintz. All are nationally recognized mid-career makers of tableware selected for the strength of his/her work: the conceptual content, formal qualities and his/her personal aesthetic. As a group they represent a broad range of material use, varied form and the primary processes of making and surfacing. All bring with them an extensive knowledge of the field, professional contacts, and buyers for their work. Each Artist/Curator was assigned a piece of equipment or furniture, typical to most kitchens, where pots when not in use, live or rest. Each selected functional wares for these spaces made by ceramicists from across North America whose work they admire and respect and share their reasons why they believe handmade tableware remains relevant in the 21st century.

 

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