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	<title>Buspirone FOR SALE</title>
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	<link>http://connienorman.com/blog</link>
	<description>Ceramics and family life</description>
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		<title>Buspirone FOR SALE</title>
		<link>http://connienorman.com/blog/2012/05/01/plinth-gallery-artist-interview-farraday-newsome-and-jeff-reich-2/</link>
		<comments>http://connienorman.com/blog/2012/05/01/plinth-gallery-artist-interview-farraday-newsome-and-jeff-reich-2/#comments</comments>
		<pubDate>Wed, 02 May 2012 03:07:17 +0000</pubDate>
		<dc:creator>Connie</dc:creator>
				<category><![CDATA[Artist interviews]]></category>
		<category><![CDATA[Ceramics]]></category>
		<category><![CDATA[Faraday Newsome]]></category>
		<category><![CDATA[Jeff Reich]]></category>
		<category><![CDATA[Plinth Gallery]]></category>

		<guid isPermaLink="false">http://connienorman.com/blog/?p=4782</guid>
		<description><![CDATA[[caption id="attachment_4761" align="aligncenter" width="640" caption="Jeff Reich"][/caption] [caption id="attachment_4755" align="aligncenter" width="427" caption="Faraday Newsome"][/caption] Compatible Visions: Farraday Newsome and Jeff Reich Exhibition dates: May 4-26 First Friday: May 4, 6-9pm Reception with the Artists. Second Saturday: May 12, noon-6pm, and RiNo Open Studio Tour Sunday May 13, 11am-4pm Visit Plinth Gallery for more information on Farraday's and [...]]]></description>
			<content:encoded><![CDATA[[caption id="attachment_4761" align="aligncenter" width="640" caption="Jeff Reich"]<a href="http://connienorman.com/blog/wp-content/uploads/2012/05/JR22.jpg"><img class="size-full wp-image-4761" title="Jeff Reich" src="http://connienorman.com/blog/wp-content/uploads/2012/05/JR22.jpg" alt="" width="640" height="427" /></a>[/caption]

[caption id="attachment_4755" align="aligncenter" width="427" caption="Faraday Newsome"]<a href="http://connienorman.com/blog/wp-content/uploads/2012/05/FN404.jpg"><img class="size-full wp-image-4755" title="Faraday Newsome" src="http://connienorman.com/blog/wp-content/uploads/2012/05/FN404.jpg" alt="" width="427" height="640" /></a>[/caption]
<p style="text-align: center;"><strong>Compatible Visions: Farraday Newsome and Jeff Reich</strong></p>
<p style="text-align: center;"><strong>Exhibition dates: May 4-26</strong></p>
<p style="text-align: center;">First Friday: May 4, 6-9pm Reception with the Artists.</p>
<p style="text-align: center;">Second Saturday: May 12, noon-6pm, and RiNo Open Studio Tour Sunday May 13, 11am-4pm</p>
<strong> </strong>

<strong>Visit<a href="http://plinthgallery.com/" target="_blank"> Plinth Gallery </a>for more information on Farraday's and Jeff's show.</strong>

<strong>For more information Jeff and Farraday please visit their <a href="http://www.indigostreetpottery.com/Site/Home.html" target="_blank">website</a>, Indigo Street Pottery.</strong>

<strong>"Farraday Newsome</strong> has worked with the vessel format for over twenty years. She explores ideas of lushness, sadness, time, and grace with surfaces that are very painterly. She is interested in the relationship between the “painterly space” and the “actual space of the three-dimensional object.”

<strong>Jeff Reich’s</strong> ceramic sculptures integrate abstract expressionist influences with contemporary desert landscapes. The Sonoran desert where he lives with his wife Farraday Newsome profoundly inspires him. Angled, sectioned and recombined forms of teapots, jars, wall tiles, and sculptural vessels are influenced by the growth patterns found in desert plants, rocks and mountains."- <em><strong>Jonthan Kaplan - Plinth Gallery</strong></em>

[caption id="attachment_4750" align="aligncenter" width="300" caption="Farraday Newsome "]<a href="http://connienorman.com/blog/wp-content/uploads/2012/05/FN202.jpg"><img class="size-medium wp-image-4750" title="Farraday Newsome " src="http://connienorman.com/blog/wp-content/uploads/2012/05/FN202-300x200.jpg" alt="" width="300" height="200" /></a>[/caption]

<strong>Tell us a little about yourselves!</strong>

<strong>Farraday:</strong> I grew up in the redwoods of California. It was very quiet and very beautiful. My father was a dinnerware designer for a big dinnerware company in Los Angeles called Metlox. The company flew him down for design meetings every 6 weeks or so. Many of my adult relatives worked in the arts. Making things and painting was part of my life growing up. When it came to college though, I majored in Biology (UC Santa Cruz, 1977) since I was so interested in nature. After earning my BA I moved to San Francisco and decided to go back to school in the arts. I received my MA in Art, Ceramics Emphasis from San Francisco State University in 1987. I moved to Arizona shortly thereafter.

[caption id="attachment_4760" align="aligncenter" width="300" caption="Jeff Reich"]<a href="http://connienorman.com/blog/wp-content/uploads/2012/05/JR.jpg"><img class="size-medium wp-image-4760" title="Jeff Reich" src="http://connienorman.com/blog/wp-content/uploads/2012/05/JR-300x200.jpg" alt="" width="300" height="200" /></a>[/caption]

<strong>Jeff: </strong>I was born in Livonia, Michigan, a suburb of Detroit. My father was an engineer with an eye to detail, and my mother a homemaker who loved to paint and garden. I grew up with interests in architecture and basketball. Early in my college career at the University of Michigan, I moved to Arizona to transfer to the University of Arizona in Tucson. I first settled on a major in Arts Education. After taking a ceramics course there, I knew that ceramics was my deepest studio art interest. I studied with Maurice Grossman and treasured the knowledge he shared with students. I recieved my BFA in 1984. I started a small studio in Tucson and quickly picked up 11 galleries across the country. Three years later I started working at the Mesa Arts Center in Mesa, Arizona building a ceramics program there that I still direct. In 2005 the Mesa Arts Center moved into a $100 million new facility, for which I helped design the ceramics studio.

[caption id="attachment_4748" align="aligncenter" width="200" caption="Farraday Newsome "]<a href="http://connienorman.com/blog/wp-content/uploads/2012/05/FN101.jpg"><img class="size-medium wp-image-4748" title="Farraday Newsome " src="http://connienorman.com/blog/wp-content/uploads/2012/05/FN101-200x300.jpg" alt="" width="200" height="300" /></a>[/caption]
<p style="text-align: left;"><strong>And how did you meet?</strong></p>
<strong>Farraday:</strong> Jeff and I met after I moved to Arizona, around 25 years ago. Jeff was a directing the ceramics program at the Mesa Arts Center, which he still directs. We probably met at an opening - hard to remember exactly when. Although friends for many years, we've been married for seven year

&nbsp;

[caption id="attachment_4757" align="aligncenter" width="292" caption=" Jeff Reich"]<a href="http://connienorman.com/blog/wp-content/uploads/2012/05/JR303.jpg"><img class="size-medium wp-image-4757" title=" Jeff Reich" src="http://connienorman.com/blog/wp-content/uploads/2012/05/JR303-292x300.jpg" alt="" width="292" height="300" /></a>[/caption]

<strong>Jeff:</strong> I met Farraday first at the Tempe Arts Festival in 1988. She was showing some amazing maiolica. We became friends and in 2001 she started teaching with me at the Mesa Arts Center. We married in 2004.

[caption id="attachment_4745" align="aligncenter" width="199" caption="Farraday Newsome "]<a href="http://connienorman.com/blog/wp-content/uploads/2012/05/FN4.jpg"><img class="size-medium wp-image-4745" title="Farraday Newsome " src="http://connienorman.com/blog/wp-content/uploads/2012/05/FN4-199x300.jpg" alt="" width="199" height="300" /></a>[/caption]
<p style="text-align: left;"><strong>When and how did you discover the passion for ceramics?</strong></p>
<strong>Farraday:</strong> My father got his BA at Alfred University in New York, majoring in ceramics. He studied with Daniel Rhodes and met Susan Peterson while he was there. After college and a stint in the army, he became a dinnerware designer for Metlox Potteries in Manhattan Beach, California. When I was little, he would sometimes take us kids to Metlox and we would glaze in his office on stock dinnerware. I loved that! I let that interest go when I went off to college and majored in biology. I didn't really take any art classes during my undergraduate years. It wasn't until years later, when I was working in the sciences in San Francisco, that I took a community college ceramics class. I rediscovered that all-engrossing feeling of joy. I quit my job and went back to school to earn my Master's in Art with a Ceramics Emphasis from San Francisco University (1987).

[caption id="attachment_4753" align="aligncenter" width="300" caption=" Jeff Reich"]<a href="http://connienorman.com/blog/wp-content/uploads/2012/05/RJ2021.jpg"><img class="size-medium wp-image-4753" title=" Jeff Reich" src="http://connienorman.com/blog/wp-content/uploads/2012/05/RJ2021-300x203.jpg" alt="" width="300" height="203" /></a>[/caption]
<p style="text-align: left;"><strong>Jeff:</strong> I thought I would be going for an architecture degree. I switched to an Art major after learning I wasn't accepted into the program for architecture. Later at the University of Arizona my scupture professor, Dennis Jones, took us to see the ceramics studio where the teacher , Maurice Grossman, threw a pitcher. I was amazed and knew after watching that I had to try the wheel. Afterward Dennis tried to get me back to metal sculpture but it was too late, I'd fallen for clay. I love how simple and complex working with clay can be. After graduating I sold my 1969 Mach I Mustang to buy a kiln and wheel to start my career in clay.</p>


[caption id="attachment_4743" align="aligncenter" width="200" caption="Farraday Newsome "]<a href="http://connienorman.com/blog/wp-content/uploads/2012/05/FN3.jpg"><img class="size-medium wp-image-4743" title="Farraday Newsome " src="http://connienorman.com/blog/wp-content/uploads/2012/05/FN3-200x300.jpg" alt="" width="200" height="300" /></a>[/caption]
<p style="text-align: left;"><strong>What are you two showing at Plinth Gallery this month?</strong></p>
<strong>Farraday:</strong> I'll be showing work that is predominantly vessel-oriented, some with high relief imagery. Some will be colorfully glazed and some glazed in black-and-white. The imagery will be mostly from the natural world, but I have just finished a teapot that has unnatural objects in high relief (a watch and a playing card) along with my usual natural imagery. My imagery generally speaks to the passage of biological time and to chance.

[caption id="attachment_4744" align="aligncenter" width="300" caption=" Jeff Reich"]<a href="http://connienorman.com/blog/wp-content/uploads/2012/05/JR4.jpg"><img class="size-medium wp-image-4744" title=" Jeff Reich" src="http://connienorman.com/blog/wp-content/uploads/2012/05/JR4-300x187.jpg" alt="" width="300" height="187" /></a>[/caption]
<p style="text-align: left;"><strong>Jeff:</strong> I'll be showing some of my latest sculptures, teapots, and wall work. My glaze palette is influenced by the Sonoran desert and the unique plants that grow here. I am inteested in portraying the contrasts of desert textures through glazes, drawings into glaze and crawling glazes. My shapes are informed by boulder piles left in place after thousand of years, as well as from the growth patterns of desert trees and plants.</p>


[caption id="attachment_4735" align="aligncenter" width="300" caption="Farraday Newsome "]<a href="http://connienorman.com/blog/wp-content/uploads/2012/05/FN1.jpg"><img class="size-medium wp-image-4735" title="Farraday Newsome " src="http://connienorman.com/blog/wp-content/uploads/2012/05/FN1-300x199.jpg" alt="" width="300" height="199" /></a>[/caption]
<p style="text-align: left;"><strong>How did you come up with the title for the show?</strong></p>
<strong>Farraday:</strong> People often tell us that our work looks so different from each other, but that somehow it looks good together. All I can think to write is that we are huge fans of each others work, asking for and giving lots of feedback in our shared studio while work is in progress. I think this all translates to work that is made in close proximity with mutual interest and tenderness, so somehow it is compatible.

[caption id="attachment_4736" align="aligncenter" width="200" caption=" Jeff Reich"]<a href="http://connienorman.com/blog/wp-content/uploads/2012/05/JR2.jpg"><img class="size-medium wp-image-4736" title=" Jeff Reich" src="http://connienorman.com/blog/wp-content/uploads/2012/05/JR2-200x300.jpg" alt="" width="200" height="300" /></a>[/caption]

<strong>Do you share the studio or have separate spaces? What is it like to work so closely with your spouse?</strong>

<strong>Jeff:</strong> I teach 4 days a week at the least but get into the studio as much as possible on my 3 days off. We love listening to NPR and books on tape together but when I need to watch sports, well, we don't share that interest. The studio could be bigger sometimes but I think every artist wants that. We have 3 electric kilns: his, hers, and one small one we share. I fire high fire reduction in our old West Coast updraft kiln. We feel really fortunate to share our passion for clay with others.

[caption id="attachment_4721" align="aligncenter" width="300" caption="Farraday Newsome "]<a href="http://connienorman.com/blog/wp-content/uploads/2012/05/MG_6438_2_2.jpg"><img class="size-medium wp-image-4721" title="Farraday Newsome " src="http://connienorman.com/blog/wp-content/uploads/2012/05/MG_6438_2_2-300x200.jpg" alt="" width="300" height="200" /></a>[/caption]
<p style="text-align: left;"><strong>Farraday: </strong>Yes, we share a home studio. It is about 750 sq. ft. Of course we wish it was bigger!! Over the ten years we've lived in our home, we seem to have settled into an understanding of whose tables are whose, but it changes if one us needs more space for a certain project.</p>


[caption id="attachment_4723" align="aligncenter" width="300" caption=" Jeff Reich"]<a href="http://connienorman.com/blog/wp-content/uploads/2012/05/JR_MG_6206_2.jpg"><img class="size-medium wp-image-4723" title=" Jeff Reich" src="http://connienorman.com/blog/wp-content/uploads/2012/05/JR_MG_6206_2-300x200.jpg" alt="" width="300" height="200" /></a>[/caption]
<p style="text-align: left;"><strong>What do you love most about your studio?</strong></p>
<strong>Farraday:</strong> I love that it is at home, and that our beautiful 1 1/2 acre wildscaped desert yard is right out the door. I also love sharing it with a fellow ceramic artist who is my husband and whose work I think is terrific!

[caption id="attachment_4717" align="aligncenter" width="300" caption="&quot;Dark Blue Jar with Yellow Birds&quot;"]<a href="http://connienorman.com/blog/wp-content/uploads/2012/05/MG_6242_3.jpg"><img class="size-medium wp-image-4717" title="&quot;Dark Blue Jar with Yellow Birds&quot;, " src="http://connienorman.com/blog/wp-content/uploads/2012/05/MG_6242_3-300x200.jpg" alt="" width="300" height="200" /></a>[/caption]

<strong> Jeff:</strong> I think Farraday said it all above ( I think her work is amazing too!)!

[caption id="attachment_4712" align="aligncenter" width="300" caption="Jeff Reich"]<a href="http://connienorman.com/blog/wp-content/uploads/2012/05/JR_MG_6435_2.jpg"><img class="size-medium wp-image-4712" title="Jeff Reich" src="http://connienorman.com/blog/wp-content/uploads/2012/05/JR_MG_6435_2-300x200.jpg" alt="" width="300" height="200" /></a>[/caption]

<strong>How do you maintain a healthy work and life balance?</strong>

<strong>Farraday</strong>: That balance is pretty elusive. I seem to have three main interests these days, and never enough time to spend on any one of them. Studio work, gardening, and now trail running. I cook most days too - we eat pretty well (vegan) and cook a lot from our beloved kitchen garden.

[caption id="attachment_4711" align="aligncenter" width="200" caption="Farraday Newsome"]<a href="http://connienorman.com/blog/wp-content/uploads/2012/05/MG_6116.jpg"><img class="size-medium wp-image-4711" title="Farraday Newsome" src="http://connienorman.com/blog/wp-content/uploads/2012/05/MG_6116-200x300.jpg" alt="" width="200" height="300" /></a>[/caption]

<strong>Jeff:</strong> Teaching full time and trying to get work out to the galleries can be trying but I have found a way to do it for 25 plus years. I remember Rudy Turk, who was the director of the Arizona State Museum of Art at the time when I was hired at the Mesa Arts Center, telling me how he wrote books, painted and directed the museum. The secret was "lots of late nights and early mornings". I don't do the late nights too much anymore but early mornings work. An ideal day would be a run, then a little gardening, then the studio. That seems like a wonderful day to me (especailly when I get to share it with Farraday).

[caption id="attachment_4788" align="aligncenter" width="300" caption=" Jeff Reich"]<a href="http://connienorman.com/blog/wp-content/uploads/2012/05/Jeff-outside.jpg"><img class="size-medium wp-image-4788" title=" Jeff Reich" src="http://connienorman.com/blog/wp-content/uploads/2012/05/Jeff-outside-300x162.jpg" alt="" width="300" height="162" /></a>[/caption]

<strong>What advice can you give aspiring artists struggling to find their own </strong><strong>voice and look?</strong>

<strong>Farraday:</strong> I think an individual voice develops with making lots of work over lots of time. Just keep at it and pay attention to what you like in your work. Stay in touch with your inner eye - your dreams and imagined forms.
<strong>Jeff: </strong>The best advice I heard when I was starting was to keep making pots/art. Seems simple but the ideas come when we keep working. I also tell my students to look outside of the ceramics world to plants, quilts, landscapes, architecture, etc. Blend what you are most passionate about (for example growing rare desert plants) and find a way to speak about it throught your work. Go to openings and see shows. Read about history of art to see what has come before us.

[caption id="attachment_4796" align="aligncenter" width="300" caption="Farraday Newsome "]<a href="http://connienorman.com/blog/wp-content/uploads/2012/05/FN303.jpg"><img class="size-medium wp-image-4796" title="Farraday Newsome " src="http://connienorman.com/blog/wp-content/uploads/2012/05/FN303-300x300.jpg" alt="" width="300" height="300" /></a>[/caption]

&nbsp;

<strong>Farraday, how would you explain your attraction for functional </strong><strong>ceramics?</strong>

<strong>Farraday:</strong> I really like the combination of the practical and thebeautiful. As I mentioned before, I grew up in a household where designing beautiful dinnerware was an everyday thing. I like that there is a shared, understood language of pottery forms: the bowl, the pitcher, the plate, etc. I also really like the formal qualities of contained space, from the shallow contained space of platters to the voluminous contained space of pitchers, teapots, and vases.

[caption id="attachment_4801" align="aligncenter" width="300" caption="Farraday Newsome "]<a href="http://connienorman.com/blog/wp-content/uploads/2012/05/FN505.jpg"><img class="size-medium wp-image-4801" title="Farraday Newsome " src="http://connienorman.com/blog/wp-content/uploads/2012/05/FN505-300x200.jpg" alt="" width="300" height="200" /></a>[/caption]

&nbsp;

<strong>You work with great delicacy when using patterns and symbols, how </strong><strong>do you choose your images?</strong>

<strong>Farraday:</strong> I have always been interested in objects from the natural world. As child, I think I was simply struck by their beauty. Like many children, I collected seashells, presse and collected wildflowers, etc. My collections were in the hundresds though and quite organized. As an adult, I am drawn to psychological associations with different natural forms. It makes them even more interesting and compelling. For instance, oranges seem to me to be an ultimate round, vibrant shape of fertility. So lively! Shells strike me as a combination of momento mori (a reminder of what is left after death and that life is fleeting), and fertility symbol (historical association) - nice combination. I started interspersing man-made, unnatural imagery with objects from the natural world in a flat painterly way as a drift on my work several years ago: things like eyeglasses, dice, watches, playing cards, etc. Now I am just starting to use those images in high relief.

[caption id="attachment_4798" align="aligncenter" width="200" caption=" Jeff Reich"]<a href="http://connienorman.com/blog/wp-content/uploads/2012/05/mg_1503.jpg"><img class="size-medium wp-image-4798" title=" Jeff Reich" src="http://connienorman.com/blog/wp-content/uploads/2012/05/mg_1503-200x300.jpg" alt="" width="200" height="300" /></a>[/caption]

<strong>Jeff, how does the desert landscape influence your ceramic work?</strong>

I love the desert and it's unique plants that grow only in our area of Arizona. We are fortunate to have 1&amp; 1/3 acre that I grow many plants on that I draw. I take pictures of the plants at different times of the year to work into my glaze drawings . Most agaves, yuccas, ocotillios and thorny plants amaze me with their tenacity to grow even in the harshest environs. We get 7" of rain per year here on average, so most plants have adapted ways to survive that are unique.

[caption id="attachment_4805" align="aligncenter" width="300" caption="Farraday Newsome "]<a href="http://connienorman.com/blog/wp-content/uploads/2012/05/mig2243_sp142f.jpg"><img class="size-medium wp-image-4805" title="Farraday Newsome " src="http://connienorman.com/blog/wp-content/uploads/2012/05/mig2243_sp142f-300x225.jpg" alt="" width="300" height="225" /></a>[/caption]

<strong>Farraday, it looks like you are handbuilding and throwing in most of your </strong><strong>pieces. Can you walk us through your creative process when dreaming up new </strong><strong>pieces?</strong>

<strong>Farraday: </strong>I usually turn my eye inward, relax, and imagine. When I get an inkling of an idea, I visualize it loosely in my mind's eye. I usually draw it so I won't forget the idea- sketchily changing it until it looks like it might work in three dimensions. That first inkling though - that's the magic. The rest is just fine tuning. Whether to coil build, throw, slab, pinch etc. - that's figuring out the meansof making the idea look good.

[caption id="attachment_4806" align="aligncenter" width="300" caption=" Jeff Reich"]<a href="http://connienorman.com/blog/wp-content/uploads/2012/05/mg_1572.jpg"><img class="size-medium wp-image-4806" title=" Jeff Reich" src="http://connienorman.com/blog/wp-content/uploads/2012/05/mg_1572-300x200.jpg" alt="" width="300" height="200" /></a>[/caption]

<strong>Jeff, you divide all your surfaces with such beautiful glaze </strong><strong>windows and silhouettes of plants drawings. When did you start using glaze to </strong><strong>define and enhance the form?</strong>

In 2004 I started glazing by superimposing 2-dimensional drawings over the 3-dimensional forms. First I used crawl glazes, then I added drawings by scratching (sgraffito) through white glazes with a dental tool.
<div class="mceTemp mceIEcenter"><a href="http://connienorman.com/blog/wp-content/uploads/2012/05/IMG_1319.jpg"><img class="aligncenter size-medium wp-image-4807" title="IMG_1319" src="http://connienorman.com/blog/wp-content/uploads/2012/05/IMG_1319-300x225.jpg" alt="" width="300" height="225" /></a></div>]]></content:encoded>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Buspirone FOR SALE</title>
		<link>http://connienorman.com/blog/2012/04/04/jason-hess-plinth-gallery-artist-interview/</link>
		<comments>http://connienorman.com/blog/2012/04/04/jason-hess-plinth-gallery-artist-interview/#comments</comments>
		<pubDate>Wed, 04 Apr 2012 19:03:14 +0000</pubDate>
		<dc:creator>Connie</dc:creator>
				<category><![CDATA[Artist interviews]]></category>
		<category><![CDATA[Jason Hess]]></category>
		<category><![CDATA[Plinth Gallery]]></category>
		<category><![CDATA[woodfire ceramics]]></category>

		<guid isPermaLink="false">http://connienorman.com/blog/?p=4573</guid>
		<description><![CDATA[Jason Hess is an “avid wood firer". For over 15 years his research has focused on the alchemy of the process—how the clay color, wood type, kiln design, and ash dispersion work together to “render a surface that is unattainable in other ways” at high temperature. His work is either utilitarian or refers to utility [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;"><strong> <a href="http://connienorman.com/blog/wp-content/uploads/2012/04/jason-Hess2_Jhess.jpg"><img class="aligncenter size-large wp-image-4585" title="jason Hess2_Jhess" src="http://connienorman.com/blog/wp-content/uploads/2012/04/jason-Hess2_Jhess-1024x890.jpg" alt="" width="573" height="498" /></a></strong><strong> </strong></p>
Jason Hess is an “avid wood firer". For over 15 years his research has focused on the alchemy of the process—how the clay color, wood type, kiln design, and ash dispersion work together to “render a surface that is unattainable in other ways” at high temperature. His work is either utilitarian or refers to utility in form while the presentation is more like characters relating to one another.  A desire to have objects that fulfill specific purposes inspires him to make functional pots. The infinite and elusive variety of texture and color attainable through the various making and firing processes has generated an interest in the notion of presentation. Some of his work is presented so that a viewer might notice and appreciate subtle diversities in form and surface. By grouping similar forms of differing size and color the compositions create a visually dynamic display, which invites the viewer to enjoy the tactile nature of each individual piece and how they relate to one another. -  <em>Jonathan Kaplan, Plinth Gallery </em>
<p style="text-align: left;"><strong>For more information please visit<a href="http://plinthgallery.com/" target="_blank"> Plinth Gallery</a>. </strong></p>
<p style="text-align: left;"><strong>For more information on Jason and his work visit <a href="http://www.thenevicaproject.com/Gallery%20Artist/Artist/gallery_artist_HESS.htm" target="_blank">The Nevica Project</a>. </strong></p>
<em>Jason will be giving a <a href="http://plinthgallery.com/workshops/" target="_blank">one day workshop </a>April 7. 9 AM to 4 PM; he will demonstrate his methods for creating wheel thrown tall bottle forms and teapots, including construction of his press molded spouts. He will also present information on wood-firing techniques and his many years of involvement with the process. In this workshop their will be plenty of opportunity for discussion. All levels are welcome. Registration fee is $75 and full catered lunch provided by Fuel Cafe is included.  For more information call Plinth Gallery @ </em>303 295-0717.
<p style="text-align: left;"><strong>Tell us about yourself.</strong></p>
I am an Associate Professor of Art and Head of the Ceramics area at Northern Arizona University in Flagstaff AZ. I have taught here for the past 12 years. Before that I taught for 2 ½ years at McNeeses State University in Lake Charles, LA. I have a Bachelors Degree from Beloit College, Beloit Wisc. And an MFA from Utah State University.

<a href="http://connienorman.com/blog/wp-content/uploads/2012/04/jason-hessPorcelain1.jpg"><img class="aligncenter size-medium wp-image-4596" title="jason hessPorcelain1" src="http://connienorman.com/blog/wp-content/uploads/2012/04/jason-hessPorcelain1-300x198.jpg" alt="" width="300" height="198" /></a>
<strong>When and how did you discover the passion for </strong><strong>ceramics?</strong>

It was in high school at St. Paul Academy in St.Paul, MN. We were required to take art classes starting in 7<sup>th </sup>grade and the art department at SPA was excellent. I took Printmaking, painting and ceramics. Very quickly I became enamored with ceramics. I chose a college (Beloit College) that seemed to have a good ceramics program though art was not my intended course of study. When I visited the College they were firing a wood burning kiln which I had never seen before. So, I ended up attending Beloit and over the course of 4 years decided that Ceramics was indeed what I would study and major in. We had a great time in the studio at Beloit and I knew that I wanted to pursue graduate study. I then went to Utah State University to get an MFA.

<a href="http://connienorman.com/blog/wp-content/uploads/2012/04/Jason-hessTall.jpg"><img class="aligncenter size-medium wp-image-4597" title="Jason hessTall" src="http://connienorman.com/blog/wp-content/uploads/2012/04/Jason-hessTall-300x246.jpg" alt="" width="300" height="246" /></a>
<strong>How would you describe yourself and your style?</strong>

I describe myself as a potter who makes work that is predominantly utilitarian or refers to utility. I am interested all aspects of ceramics, its history, traditions, processes and technologies. The vast majority of my work is fired in wood burning kilns. I enjoy the interaction between the flame/ash and clay surface. I am interested in clay color and surfaces that are largely unglazed except by the firing process.

<a href="http://connienorman.com/blog/wp-content/uploads/2012/04/HES-J.jpg"><img class="aligncenter size-medium wp-image-4599" title="HES-J" src="http://connienorman.com/blog/wp-content/uploads/2012/04/HES-J-300x300.jpg" alt="" width="300" height="300" /></a>
<strong>One of the hardest things for artists to do is to stand apart from everyone else. How long did it take you to come up with your own style and signature look? </strong>

I think this is an ongoing process. I think it started for me in graduate school with the sets of bottles that I was making and still make.

<strong>What are you showing at Plinth Gallery this month? How did you come up with the title for the show? </strong>

I am showing new work at Plinth.  Tea Pots and Bottles, and Flower Bricks and Mugs, etc… They are all new ideas that have been made in the last 6 months, much of the show was fired in the past month. The work is almost all woodfired in a wood/soda kiln. It is also predominantly porcelain.

<a href="http://connienorman.com/blog/wp-content/uploads/2012/04/Flower.jpg"><img class="aligncenter size-medium wp-image-4609" title="Flower" src="http://connienorman.com/blog/wp-content/uploads/2012/04/Flower-300x199.jpg" alt="" width="300" height="199" /></a>
<strong>You are an avid wood firer, will you explain you fascination for wood firing. </strong>

I am interested in the wood fire process because of the variety of surfaces that are attainable. I have not found another way to generate surfaces that are similar or comparable. We also happen to have an extensive wood kiln facility where I teach, so I have a great many options and it is a big part of what I teach.

<a href="http://connienorman.com/blog/wp-content/uploads/2012/04/jason-hessTeapotCups.jpg"><img class="aligncenter size-medium wp-image-4602" title="jason hessTeapotCups" src="http://connienorman.com/blog/wp-content/uploads/2012/04/jason-hessTeapotCups-300x198.jpg" alt="" width="300" height="198" /></a>

&nbsp;

<strong>How would you explain your attraction for functional ceramics and does the wood ash play into your functional work? </strong>

I enjoy the connection between maker and user and the idea that I am making something for a specific use. I generally make things that are intended to be fired in specific areas of the kiln. So, I take into consideration what I make and have an idea of the kind of surface that I want to achieve (crusty, shiney, glassy etc..)

<a href="http://connienorman.com/blog/wp-content/uploads/2012/04/Flowerbrick.jpg"><img class="aligncenter size-medium wp-image-4606" title="Flowerbrick" src="http://connienorman.com/blog/wp-content/uploads/2012/04/Flowerbrick-300x199.jpg" alt="" width="300" height="199" /></a>

<strong>How do you maintain a healthy work and </strong><strong>life balance? </strong>

I try not to work at the wheel for more that 3 – 5 hours at a time and to stand up often so that I maintain a decent posture. I also tend to work in spurts, so like maybe 3 – 4 weeks of making,  then a week of firing and then a break. My job and making art keeps me pretty busy, maybe 6 days per week to take care of everything. So, perhaps its not the healthiest work/ life cycle at the moment.

<a href="http://connienorman.com/blog/wp-content/uploads/2012/04/Teapot.jpg"><img class="aligncenter size-medium wp-image-4604" title="Teapot" src="http://connienorman.com/blog/wp-content/uploads/2012/04/Teapot-300x199.jpg" alt="" width="300" height="199" /></a>

<strong>It is said that, in order to become renowned, an artist has to be a good self-promoter. Do you consider yourself one, and are there recipes for that?</strong>

I do not consider myself to be a good self promoter. I started by entering as many national competitions as possible in grad school and in the few years after. From this my work was published a number of times in Ceramics Monthly, Art and Perception and Ceramics Technical. I have also written for magazines, organized conferences/symposia and have been on panel discussions at the annual NCECA Conference. So I’ve just tried to be as active as I can in the field.

<strong> What do you love most about your studio? </strong>

That its at school and that I am an active part of our school/studio community.

<strong>What advice can you give aspiring </strong><strong>artists struggling to find their own voice and look?</strong>

I tell them to look at as much work by as many people as possible. Take workshops, get as many perspectives as possible. Above all, make lots of work and fire it as well as stand back and think about what they are making and why. It mostly perseverance to succeed in ceramics.

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		<link>http://connienorman.com/blog/2012/02/29/elizabeth-robinson-plinth-gallery-artist-interview/</link>
		<comments>http://connienorman.com/blog/2012/02/29/elizabeth-robinson-plinth-gallery-artist-interview/#comments</comments>
		<pubDate>Wed, 29 Feb 2012 16:57:54 +0000</pubDate>
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				<category><![CDATA[Artist interviews]]></category>
		<category><![CDATA[Ceramics]]></category>
		<category><![CDATA[Elizabeth Robinson]]></category>
		<category><![CDATA[Plinth Gallery]]></category>
		<category><![CDATA[porcelain]]></category>
		<category><![CDATA[pottery]]></category>
		<category><![CDATA[terra cotta]]></category>

		<guid isPermaLink="false">http://connienorman.com/blog/?p=4336</guid>
		<description><![CDATA[ELIZABETH ROBINSON: "Gestating" Nasonex FOR SALE, “Elizabeth Robinson’s work is a very personal statement embodied in accessible work that is meant to be used. Her pottery is an intimate statement about the importance of the handmade object and the role such objects have in our daily rituals. Her attention to detail in both form and [...]]]></description>
			<content:encoded><![CDATA[<p> <p style="text-align: center;"><strong><a href="http://connienorman.com/blog/wp-content/uploads/2012/02/platter1.jpg"></a><img class="aligncenter size-full wp-image-4340" title="platter1" src="http://connienorman.com/blog/wp-content/uploads/2012/02/platter1.jpg" alt="" width="627" height="504" /></strong></p><br />
<p style="text-align: center;"><strong>ELIZABETH ROBINSON: "Gestating"</strong></p><br />
<p style="text-align: left;"> <b>Nasonex FOR SALE</b>, “Elizabeth Robinson’s work is a very personal statement embodied in accessible work that is meant to be used. Her pottery is an intimate statement about the importance of the handmade object and the role such objects have in our daily rituals. Her attention to detail in both form and decoration results in work that is a joy to experience.” - <em>Jonathan Kaplan, Plinth Gallery</em></p><br />
<em><a href="http://connienorman.com/blog/wp-content/uploads/2012/02/platter1-detail.jpg"><img class="aligncenter size-medium wp-image-4390" title="platter1-detail" src="http://connienorman.com/blog/wp-content/uploads/2012/02/platter1-detail-300x177.jpg" alt="" width="300" height="177" /></a></em><br />
<p style="text-align: center;"><strong>Please join Plinth Gallery in welcoming Elizabeth for her, <b>Nasonex 200mg</b>, opening reception,  March 2, 6-9 PM.</strong></p><br />
<p style="text-align: center;">Exhibition on display March 2 - 24th. </p><br />
<p style="text-align: center;">Second Saturday March 10, noon-9pm</p><br />
For more information on Elisabeth Robinson please go to her <a href="http://ebethrobinson.wordpress.com/" target="_blank">website</a>.  And if you are in the market for beautifully designed postcards visit Beth at <a href="http://postcardsforartists.com/" target="_blank">Postcards for Artists</a>.  And to see the upcoming exhibitions at <a href="http://plinthgallery.com/" target="_blank">Plinth Gallery </a>make the jump to their <a href="http://plinthgallery.com/" target="_blank">website. </a></p>
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<p><strong>Tell us a little about yourself!</strong></p>
<p>I am the mom of two small boys and a self employed artist and designer. I live in a small, <b>El Paso, Texas. Washington, D.C. Seattle, Washington</b>, remote town in Northwestern Colorado, and by remote I mean one stoplight and 55 miles by small roads from the nearest other small town. I have an undergraduate degree in biology, <b>Online Nasonex without a prescription</b>, a master’s degree in fine art and travelled the world as a child.</p>
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<p><strong>I know that you are a Pottery Mom, how do you divide your time between work, children and life?</strong></p>
<p>There’s never enough of it to go around, but I focus on trying to keep my priorities straight, <b>Nasonex FOR SALE</b>. What works for me is to have a clear daily routine with the kids which prioritizes their physical and emotional needs while also building in little spaces of time at home to get work related things done like designing postcards, communicating with galleries and customers, bookkeeping etc. Often I am working on these things late at night or early in the morning since I don’t want what my kids remember the most to be Mom staring at a computer screen or telling them to be quiet because she’s on the phone, <b>Jacksonville, Florida, Columbus, Ohio</b>. Most importantly, as far as studio time goes, is that I have a work schedule, <b>Nasonex snort, alcohol iteraction</b>, and barring illness or family crises, I don’t deviate from it. The most challenging part of that is, I can’t stay late or go in early when I need to get more work done, I’ve got to get what I can done in the time I have, <b>Nasonex pharmacy</b>.</p>
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<strong> <b>Nasonex FOR SALE</b>, How did you become an artist. </strong></p>
<p>I think I’m one of those people who have always been an artist. I remember wandering around as a kid with my sketchbook and drawing pencils and books on how to draw birds, horses and kitties.  <b>Nasonex without prescription</b>, I always loved to make stuff and had a particular fascination with useful things. For some reason I didn’t like the idea of majoring in art in undergraduate school, but I was always taking a studio class. By the time I graduated, I had decided I wanted to be a potter, <b>Nasonex FOR SALE</b>. I realized I wasn’t going to be very good if I didn’t give it my full attention, so, <b>Nasonex from canadian pharmacy</b>, I went forward with that, travelling the country and working in lots of different studios before going to graduate school.</p>
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<strong>I know you live in a remote part of Colorado, <b>Nasonex price</b>, </strong><strong>how do you get your name and artwork out, and keep current?</strong></p>
<p>Honestly, Facebook is probably my best tool in this case. It makes it so easy to keep in touch with old art friends, colleagues and teachers and share what we’re up to.  I also have a Facebook studio page, <b>Chicago, Illinois. Houston, Texas</b>, <a href="https://www.facebook.com/pages/Elizabeth-Robinson-Studio/126351161194" target="_blank">Elizabeth Robinson Studio:</a> which helps to promote my work and inform the general public. I try to keep up with maintaining my website and sending out email newsletters, but with 2 boys under 5, <b>Acheter en ligne Nasonex, acheter Nasonex bon marché</b>, my computer time is limited.  <b>Nasonex FOR SALE</b>, Living in such a remote area is helpful in the sense that there are few distractions.  With small children at home, my studio time is limited, but my focus is there, so I get the work done, and keep sending it out.</p>
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<p><strong>How would you describe your style. One of the hardest things for artists </strong><strong>to do is to stand apart from everyone else. How long did it take you to come up </strong><strong>with your own style and signature look. </strong></p>
<p>Years ago I came across a blogger who described my work as: “your grandmother’s china meets wabi sabi.” That sounds about right, <b>Nasonex from mexico</b>. I’m interested in the junction between mass and delicacy, refinement and physicality, loose and formal lines, <b>Nasonex FOR SALE</b>. I think my work comes off as sophisticated and awkward at the same time.</p>
<p>I can honestly say that I’ve put little thought into developing a ‘style.’ When it comes to making things, I’ve depended first on instinct, <b>Kjøpe Nasonex online, bestill Nasonex online</b>, then an awareness of my interests, and followed it up with a healthy dose of analysis. That last part I learned in Grad School. In one sense, I have a fairly modernist point of view in that I think that many people can pursue an idea or work with a similar inspiration and the work will have a uniqueness to it that is reflective of that person’s individuality, <b>no prescription Nasonex online</b>.  <b>Nasonex FOR SALE</b>, Not that there aren’t good copyists out there, but I think you need to look at a person’s body of work over time to determine if that is the case.</p>
<p>To have a ‘style’ that is your own and recognizable depends on having a fair amount of consistency in the work over time, either in aesthetic, subject matter or concept.  <b>Nasonex from canada</b>, I would never recommend, however, that someone stay with a body of work just for the sake of developing a style. I think that if you dig deep and make the work that is most interesting to you that the rest will follow, then go ahead and market the hell out of it, <b>Nasonex 5mg</b>.</p>
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<p><strong><a href="http://connienorman.com/blog/wp-content/uploads/2012/02/large_bowl.jpg"><img class="aligncenter size-medium wp-image-4398" title="large_bowl" src="http://connienorman.com/blog/wp-content/uploads/2012/02/large_bowl-300x185.jpg" alt="" width="300" height="185" /></a></strong></p>
<p><strong>How has your work evolved over the years. </strong></p>
<p>The body of work I have been pursuing for the last 10 years, which has become very focused on the surface of the pot, and imagery that creates ever shifting compositions based on perspective, started in graduate school with an interest in pattern, decorative motifs and a lot of printmaking, <b>Nasonex FOR SALE</b>. Before that I was primarily interested in form and firing methods that created complex surfaces through atmospheric effects, wood and soda firing mainly.  <b>Nasonex without a prescription</b>, Gradually I realized that I wanted to deal with the surfaces more intentionally through my own hand and the making process itself, this process of activating the surface has evolved from thick slip painted on in distinct areas of pattern and fired with an atmospherically sensitive glaze to the layers of color and imagery that is characteristic of my work right now.  This latest evolution became firmly established when I set up my studio in Rangely and for the first time only had access to one little electric kiln instead of a kiln yard full of wood, salt, soda and reduction kilns. The surface wasn’t going to be complex an interesting unless I put it there myself.  As this aspect of my work evolved the surfaces of the pots became smoother and the forms became simpler, <b>Nasonex for sale</b>, mostly as a result of my concentration on what I was doing with the surface, but also because I was working with a mid range porcelain that’s pretty, but has a lot of limitations.  <b>Nashville-Davidson, Tennessee. Portland, Oregon</b>, My work is in a period of transition right now.  <b>Nasonex FOR SALE</b>, After years of small and simple porcelain forms, mostly dinnerware, I’ve switched to a terra cotta clay and am excited to be exploring larger pieces and working with the earthy qualities of this material.</p>
<p><a href="http://connienorman.com/blog/wp-content/uploads/2012/02/teapot1.jpg"><img class="aligncenter size-medium wp-image-4393" title="teapot1" src="http://connienorman.com/blog/wp-content/uploads/2012/02/teapot1-300x228.jpg" alt="" width="300" height="228" /></a></p>
<p><strong>What will you be showing in your solo show at Plinth Gallery opening this week. How did you come up with the title for the show?</strong></p>
<p>The show is titled ‘Gestating” and it’s going to be a bit of a mix. I am showing some of my favorite porcelain pieces that I’ve saved back over the past year as well as some brand new terra cotta pots.</p>
<p>A little over 5 years ago I became pregnant with my first son who was born in the summer of 2007, <b>purchase Nasonex FOR SALE</b>, and my second son was born in the spring of 2010. During this time my work was present, vital, but going through a period of refinement, constancy, <b>Nasonex FOR SALE</b>. I’m done having babies but I feel my work is now in a process of developing into something new.  I have to admit I feel a bit like a pregnant woman who shows up at the pool in a bikini, not because she thinks she looks cute, <b>Australia, uk, us, usa</b>, but because it’s the only thing that fits, and she might as well own up to it.<strong> </strong></p>
<p><strong><a href="http://connienorman.com/blog/wp-content/uploads/2012/02/nesting_bowls.jpg"><img class="aligncenter size-medium wp-image-4394" title="nesting_bowls" src="http://connienorman.com/blog/wp-content/uploads/2012/02/nesting_bowls-300x198.jpg" alt="" width="300" height="198" /></a></strong></p>
<p><strong>What is your inspiration for your pieces?</strong></p>
<p>My work is inspired by a mix of global folk traditions and modern industrial forms, including my mother’s childhood teacup collection, decorative motifs and modes of ornamentation, landscape and painting, <b>Nasonex 75mg</b>. I take what is familiar and comforting and mix it with a bit of the unexpected.</p>
<p><a href="http://connienorman.com/blog/wp-content/uploads/2012/02/Robinson_vase1.jpg"><img class="aligncenter size-medium wp-image-4349" title="Robinson_vase1" src="http://connienorman.com/blog/wp-content/uploads/2012/02/Robinson_vase1-230x300.jpg" alt="" width="230" height="300" /></a><br />
<strong>What keeps you motivated. </strong></p>
<p>I have always been driven to make things so I’ve never needed a whole lot of motivation to get into the studio.  <b>Nasonex FOR SALE</b>, I admit, however, that sometimes after a period of time away from the studio it’s hard to get going again.  <b>Comprar en línea Nasonex, comprar Nasonex baratos</b>, Also, at the end of a making cycle, or after a big deadline, I usually take a break, usually because I’ve gotten behind in other things and need to catch up, <b>cheap Nasonex</b>. Our family’s budget depends on some income from my studio, so money is certainly a motivating factor, as are show deadlines.  <b>Where can i find Nasonex online</b>, Also, given that I have 2 small children at home, and time is even scarcer than money, it’s imperative that I have a work schedule and stick to it, so in that sense, <b>Nasonex online cod</b>, just having the opportunity to go to the studio is a motivating factor, whether I feel like it or not.</p>
<p><a href="http://connienorman.com/blog/wp-content/uploads/2012/02/Robinson_bowl1.jpg"><img class="aligncenter size-medium wp-image-4348" title="Robinson_bowl1" src="http://connienorman.com/blog/wp-content/uploads/2012/02/Robinson_bowl1-300x291.jpg" alt="" width="300" height="291" /></a><br />
<strong>Please tell us about your other business.</strong></p>
<p>I have a home based graphic design business called <a href="http://www.postcardsforartists.com/" target="_blank">Postcards for Artists</a>. I focus on doing custom layouts for postcards, business cards, brochures, etc, <b>Nasonex FOR SALE</b>.  <b>Order Nasonex no prescription</b>, I have always been comfortable on the computer, and my goal is to make the process of creating promotional materials streamlined, affordable and easy for artists, individuals, small businesses or whoever, <b>purchase Nasonex online</b>. I can help people through the process of picking their images, choosing their text and offer multiple layout options, or I can just do exactly what they already know they want.  <b>Nasonex over the counter</b>, I keep it casual and easy and cater especially to those who aren’t comfortable with this part of the process or who need to focus their energies elsewhere. I’m good at working with the last minute deadlines artist are often faced with, and I think I have a knack for looking at someone’s work, or talking to them, and knowing how to design the card to suit their style, <b>Austin, Texas, Memphis, Tennessee</b>.  <b>Nasonex FOR SALE</b>, I love it, I get to know so many great people and it’s a great source of extra income that I can fit into day to day life at home with the kids.</p>
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<strong>You, like most people enjoy the process of making and didn't get into it </strong><strong>for the sake of "business". But eventually you found yourself having </strong><strong>to make the transition from crafter to a businessperson.  <b>400mg, 450mg</b>, What have you learned </strong><strong>so far and what advice can you give others in the same situation?</strong></p>
<p>Oh man, I am still trying to figure that out. I know that the key is following through on your commitments, keeping good records, meeting deadlines and always putting your best work out there, <b>japan, craiglist, ebay, hcl</b>. Being easy to find, taking good pictures, and communicating quickly and well, <b>Nasonex FOR SALE</b>. Easier said than done.</p>
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<strong>What advice can you give aspiring artists struggling to find their own </strong><strong>voice and look?</strong></p>
<p>1. Make LOTS of work and keep working even when you don’t feel like it or when mistakes happen.  <b>Baltimore, Maryland. Milwaukee, Wisconsin</b>, If the work doesn’t turn out, do it again, keep at it until you have a real sense of completion to the idea.  <b>Nasonex FOR SALE</b>, This, of course, is an excellent quote on that subject by <a href="http://forrst.com/posts/9OF/original" target="_blank">Ira Glass</a>.</p>
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<p>2. Seek honest critiques from people whose opinion you respect, <b>Nasonex 1000mg, 2000mg</b>. Listen to their input, take what is useful to you and let go of what is not.</p>
<p>3.  Follow your instincts, <b>Nasonex FOR SALE</b>.  <b>Philadelphia, Pennsylvania. Phoenix, Arizona</b>, 4. Don’t be in a hurry to show or sell, take as much time as you can letting your work be just for you. Once you start thinking more about money and audience there are aspects of that which inevitably influence what you make. That’s not a bad thing, there is a lot that is relevant and important to consider when it comes to audience and finding a home for the things you make, but the uniqueness of your work will develop best if there is a good incubating period away from these things, and that’s much easier to get BEFORE you start showing and selling. JMHO.</p>
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		<link>http://connienorman.com/blog/2012/02/09/todd-shanafelt-plinth-gallery-artist-interview/</link>
		<comments>http://connienorman.com/blog/2012/02/09/todd-shanafelt-plinth-gallery-artist-interview/#comments</comments>
		<pubDate>Thu, 09 Feb 2012 19:16:19 +0000</pubDate>
		<dc:creator>Connie</dc:creator>
				<category><![CDATA[Artist interviews]]></category>
		<category><![CDATA[ceramic sculpture]]></category>
		<category><![CDATA[mixed media]]></category>
		<category><![CDATA[Plinth Gallery]]></category>
		<category><![CDATA[Todd Shanafelt]]></category>

		<guid isPermaLink="false">http://connienorman.com/blog/?p=4235</guid>
		<description><![CDATA[﻿ As It Happens by Todd Shanafelt Cephalexin FOR SALE, Todd Shanafeltʼs ceramic sculptures chronicle his process of the “deconstruction or devolution” of the vessel form. Using mixed media as well as clay, No prescription Cephalexin online, Shanafelt creates highly personal narratives that that question relationships, whether it be between the human component and the [...]]]></description>
			<content:encoded><![CDATA[<p> <p style="text-align: center;">﻿<a href="http://connienorman.com/blog/wp-content/uploads/2012/02/3-ensuite.jpg"><img class="aligncenter size-full wp-image-4237" title="todd shanafelt" src="http://connienorman.com/blog/wp-content/uploads/2012/02/3-ensuite.jpg" alt="" width="480" height="640" /></a></p><br />
<p style="text-align: center;"><strong>As It Happens</strong> <strong>by Todd Shanafelt</strong><br />
<strong></strong></p> <b>Cephalexin FOR SALE</b>, Todd Shanafeltʼs ceramic sculptures chronicle his process of the “deconstruction or devolution” of the vessel form. Using mixed media as well as clay, <b>No prescription Cephalexin online</b>, Shanafelt creates highly personal narratives that that question relationships, whether it be between the human component and the natural world or other. His pieces speak of his reaction to “the profound disconnect throughout the world”.  He adds that "our world has obviously become rapidly connected, <b>Nashville-Davidson, Tennessee. Portland, Oregon</b>, which has its wonderful advantages", <b>Fort Worth, Texas. Denver, Colorado</b>, he states, "however, we have also become less and less sensitive to the subtleties of our relationships and the reverence of them, <b>Cephalexin from mexico</b>, this idea is very personal to me and I feel increasingly prompted to create work that somehow address this".  <b>Cephalexin from canadian pharmacy</b>, - Jonathan Kaplan<br />
<p style="text-align: center;"> <strong>Reception rescheduled to February 10.</strong></p><br />
<p style="text-align: center;"><strong>Exhibiton Dates: February 3-27</strong><br />
 Plinth Gallery * 3520 Brighton Blvd. * Denver, Colorado</p><br />
  Visit <a href="http://plinthgallery.com/" target="_blank">Plinth Gallery's website </a>for more information on Todd's show. </p>
<p>For more  information on Todd Shanafelt please visit his <a href="http://www.toddshanafelt.com/" target="_blank">website.</a> </p>
<p><strong>Why did you decide to become an artist and could you imagine doing anything</strong><strong> </strong><strong>else, <b>Jacksonville, Florida, Columbus, Ohio</b>. If so, what?</strong></p>
<p>I think a lot of artists have said this -- but 'it' chose me I think, <b>Cephalexin FOR SALE</b>. Like something stuck to the bottom of your shoe.  <b>Cephalexin samples</b>, It has never really not been there. I could imagine myself doing something in the natural environment far away from civilization -- something like studying insects, sea life, <b>where can i cheapest Cephalexin online</b>, plants, <b>Cephalexin 75mg</b>, rocks, etc.</p>
<p><strong><a href="http://connienorman.com/blog/wp-content/uploads/2012/02/tshanafelt3a.jpg"><img class="aligncenter size-medium wp-image-4239" title="todd shanafelt" src="http://connienorman.com/blog/wp-content/uploads/2012/02/tshanafelt3a-225x300.jpg" alt="" width="225" height="300" /></a></strong></p>
<p><strong>How did you become an artist?</strong><strong><br />
</strong><br />
Again, <b>cheap Cephalexin</b>, I think it has always been there.  <b>Cephalexin FOR SALE</b>, It didn't take much nurturing I think.  <b>Indianapolis, Indiana, San Francisco, California</b>, No big museum visits, no high dollar art schools, just a huge sense of curiosity to make things with my hands and then re-make them, <b>Cephalexin 5mg</b>, then respond and re-make, <b>Baltimore, Maryland. Milwaukee, Wisconsin</b>, etc. a never ending game.</p>
<p><a href="http://connienorman.com/blog/wp-content/uploads/2012/02/tshanafelt3b.jpg"><img class="aligncenter size-medium wp-image-4240" title="todd shanafelt" src="http://connienorman.com/blog/wp-content/uploads/2012/02/tshanafelt3b-225x300.jpg" alt="" width="225" height="300" /></a></p>
<p><strong>How would you describe your style, <b>Cephalexin 100mg</b>. One of the hardest things for artists to do</strong><strong> </strong><strong>is to stand apart from very one else. How long did it take you to come up with</strong><strong> </strong><strong>your own style and signature look?</strong><strong><br />
</strong><br />
The clay material seemed to have a peculiar voice and attitude on its own -- so I think I learned after sometime that I didn't need to control it completely...that instead, I could collaborate with it more, <b>Cephalexin FOR SALE</b>.  <b>Cephalexin 75mg</b>, That was exciting to me in college -- when I found this out through working, I thought, wow, <b>order Cephalexin online c.o.d</b>, every push I give it, <b>Köpa Cephalexin online, Osta Cephalexin online, Jotta Cephalexin verkossa</b>, it gives back something on its own -- and usually, something better than something I came up with.</p>
<p>The 'style' I worked in for many years came from trying to imitate other materials with clay -- such as metal, <b>Cephalexin pharmacy</b>. My 'art museum' was the family garage and the natural world found around me in Estes Park, <b>Kjøpe Cephalexin online, bestill Cephalexin online</b>, CO where I was pretty darn fortunate to grow up. I think the harsh contrast between the greasy, cold garage and the magnificent flora and fauna surrounding me there in CO impacted me and continues to influence my work, <b>purchase Cephalexin online</b>.  <b>Cephalexin FOR SALE</b>, I am intrigued with these juxtapositions of human made and nature made beauty -- as well as questioning what beauty is...since my definition of beauty has evolved over the years as I continue to learn how to see.</p>
<p><a href="http://connienorman.com/blog/wp-content/uploads/2012/02/tshanafelt2a.jpg"><img class="aligncenter size-medium wp-image-4241" title="todd shanafelt" src="http://connienorman.com/blog/wp-content/uploads/2012/02/tshanafelt2a-225x300.jpg" alt="" width="225" height="300" /></a></p>
<p><strong>What keeps you motivated?</strong><strong><br />
</strong><br />
Listening and observing the world around me -- sound bits from world events -- politically, <b>Cephalexin 250mg</b>, socially, environmentally, etc, <b>Cephalexin withdrawal</b>. Thinking about what kind of society we are leaving to the next generation has now become paramount in what my work looks like...so for example, <b>Detroit, Michigan, San Jose, California</b>, I've become more implicit and illustrative by using human and animal ceramic figurines in my work.</p>
<p><a href="http://connienorman.com/blog/wp-content/uploads/2012/02/tshanafelt1a_edited-1.jpg"><img class="aligncenter size-medium wp-image-4242" title="todd shanafelt" src="http://connienorman.com/blog/wp-content/uploads/2012/02/tshanafelt1a_edited-1-300x199.jpg" alt="" width="300" height="199" /></a></p>
<p><strong>What or who inspires you?</strong><strong><br />
</strong><br />
<a href="http://www.rafaperez.es/en/" target="_blank">Rafael Perez </a>is a ceramic/sculptor artist friend of mine who works in Rioja, Spain near Bilbao -- I met him at an exhibition we were both in together in Valencia, <b>Cephalexin coupon</b>, Spain about 9 years ago.  <b>Australia, uk, us, usa</b>, His process is almost more inspiring to me that the outcome of his works -- although they are breathtaking objects that hit a cord with me visually for some reason...again, I think they define beauty to me that relates to what I grew up with in the early years surrounded by mountains (which mountains are created out of sometimes violent events, leading to incredibly exciting peaks, <b>Cephalexin without prescription</b>, valleys, <b>Canada, mexico, india</b>, etc.)..</p>
<p><a href="http://www.anishkapoor.com/" target="_blank">Anish Kapoor </a>is another art hero of mine, <b>Cephalexin FOR SALE</b>. Again, not always his finished works, <b>Cephalexin snort, alcohol iteraction</b>, but his processes intrigue me most.  <b>Købe Cephalexin online, αγοράζουν online Cephalexin</b>, <a href="http://connienorman.com/blog/wp-content/uploads/2012/02/OpticalIncision1.jpg"><img class="aligncenter size-medium wp-image-4243" title="Optical Incision todd shanafelt" src="http://connienorman.com/blog/wp-content/uploads/2012/02/OpticalIncision1-300x225.jpg" alt="" width="300" height="225" /></a></p>
<p><strong>What are your secrets for managing your time wisely?</strong><strong><br />
</strong><br />
None -- work when you can...but I tend to need real vigorous cardiovascular exercise before getting into the studio or else I feel stale and uninspired...in short, the 'juices' need to be flowing.</p>
<p><a href="http://connienorman.com/blog/wp-content/uploads/2012/02/OpticalIncision.jpg"><img class="aligncenter size-medium wp-image-4244" title="Optical Incision todd shanafelt" src="http://connienorman.com/blog/wp-content/uploads/2012/02/OpticalIncision-225x300.jpg" alt="" width="225" height="300" /></a></p>
<p><strong>Who would you like to trade places with for one day, <b>where can i cheapest Cephalexin online</b>. Why?</strong><strong> </strong><strong>If you could live anywhere in the world – all expenses paid – for one year, <b>Oklahoma City, Oklahoma. Las Vegas, Nevada</b>, </strong><strong> </strong><strong>where would that be.  Why?</strong><strong><br />
</strong> <b>Cephalexin FOR SALE</b>, Somewhere in northern Norway I think -- where we could cross country ski day in/day out --- and take everything in -- including the incredible minimal light there during the winter months -- isolation and seclusion in such a place is therapeutic to me -- and my wife and kids would like that too.....I think. who's paying?.</p>
<p><a href="http://connienorman.com/blog/wp-content/uploads/2012/02/longgonemeltdown.jpg"><img class="aligncenter size-medium wp-image-4247" title="long gone melt down todd shanafelt" src="http://connienorman.com/blog/wp-content/uploads/2012/02/longgonemeltdown-300x225.jpg" alt="" width="300" height="225" /></a></p>
<p><strong>You, <b>Fort Worth, Texas. Denver, Colorado</b>, like most people enjoy the process of making and crafting and didn’t get</strong><strong> </strong><strong>into it for the sake of “business”.  <b>Farmacia Cephalexin baratos, Cephalexin online kaufen</b>, But eventually you found yourself having</strong><strong> </strong><strong>to make the transition from crafter to a businessperson. What have you learned</strong><strong> </strong><strong>so far and what advice can you give others in the same situation?</strong><strong><br />
</strong><br />
Yes, my first thoughts like most were -- OK, <b>Cephalexin 1000mg, 2000mg</b>, I'm going to be having a family and dependents...how am I going to do this???.  I didn't think much about it though until I began thinking about marrying someone -- so you want to support them, <b>Cephalexin FOR SALE</b>.  <b>Cephalexin 500mg</b>, I scrambled and realized that I could be a studio artist AND teach and earn a living at the same time. I definitely wanted to be maker first and foremost...and I am still learning how to teach -- which has been exciting too -- and that 'process' has taught me a lot about what I am making too...</p>
<p><a href="http://connienorman.com/blog/wp-content/uploads/2012/02/EnDescendant.jpg"><img class="aligncenter size-medium wp-image-4248" title="En Descendant todd shanafelt" src="http://connienorman.com/blog/wp-content/uploads/2012/02/EnDescendant-199x300.jpg" alt="" width="199" height="300" /></a></p>
<p><strong>What advice can you give aspiring artists struggling to find their own voice</strong><strong> </strong><strong>and look?</strong><strong><br />
</strong><br />
I've heard this before too -- don't pick up any art magazines or even the internet -- or youtube -- that practice can then begin to put blinders on you....however, i did just that in college starting out --- I think it helped see the range of possibilities, but it did immediately set me in a 'track' -- it is then important to be able to consciously get out of it and make new work...so there is a balance...I occasionally read something, but I try to look at a broad range of work -- not just ceramic based...in retrospect, I think I've always been more interested in looking at non-ceramic objects and imagine the transition from that object into clay and then the possibilities come to mind...</p>
<p>Museums are a very good thing -- but simply put -- just be curious about the world around you and follow your instincts.</p>
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		<link>http://connienorman.com/blog/2011/11/15/jonathan-kaplan-mold-making-workshop-plinth-gallery/</link>
		<comments>http://connienorman.com/blog/2011/11/15/jonathan-kaplan-mold-making-workshop-plinth-gallery/#comments</comments>
		<pubDate>Tue, 15 Nov 2011 21:29:16 +0000</pubDate>
		<dc:creator>Connie</dc:creator>
				<category><![CDATA[Ceramics]]></category>
		<category><![CDATA[jonathan kaplan]]></category>
		<category><![CDATA[Plinth Gallery]]></category>

		<guid isPermaLink="false">http://connienorman.com/blog/?p=4001</guid>
		<description><![CDATA[On December 3-4th Captopril FOR SALE, , Jonathan Kaplan will instruct a two-day workshop on mold-making, in the Plinth Gallery Studio.  Please see the attached flyer.   Cost is $150/person for both days which includes all materials, and lunch.   Please contact the Gallery if you are interested in attending this workshop, Captopril 150mg, Captopril without prescription, [...]]]></description>
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		<link>http://connienorman.com/blog/2011/11/02/jim-kraft-plinth-gallery-artist-interview/</link>
		<comments>http://connienorman.com/blog/2011/11/02/jim-kraft-plinth-gallery-artist-interview/#comments</comments>
		<pubDate>Wed, 02 Nov 2011 15:25:13 +0000</pubDate>
		<dc:creator>Connie</dc:creator>
				<category><![CDATA[Artist interviews]]></category>
		<category><![CDATA[Ceramics]]></category>
		<category><![CDATA[Jim Kraft]]></category>
		<category><![CDATA[Plinth Gallery]]></category>

		<guid isPermaLink="false">http://connienorman.com/blog/?p=3956</guid>
		<description><![CDATA[Co-Diovan FOR SALE, Jim Kraft’s work is compelling yet deceptive. Kjøpe Co-Diovan online, bestill Co-Diovan online, Kraft builds large container forms by using small pieces of cut or torn clay which is constructed in such a way as to appear as a completely different material.  This manipulation of the clay creates a visual deception, of [...]]]></description>
			<content:encoded><![CDATA[<p> <p style="text-align: center;"><strong><a href="http://connienorman.com/blog/wp-content/uploads/2011/11/jimKraftRUTILE.jpg"><img class="aligncenter size-full wp-image-3958" title="jimKraftRUTILE" src="http://connienorman.com/blog/wp-content/uploads/2011/11/jimKraftRUTILE.jpg" alt="" width="480" height="719" /></a></strong></p> <b>Co-Diovan FOR SALE</b>, Jim Kraft’s work is compelling yet deceptive.  <b>Kjøpe Co-Diovan online, bestill Co-Diovan online</b>, Kraft builds large container forms by using small pieces of cut or torn clay which is constructed in such a way as to appear as a completely different material.  This manipulation of the clay creates a visual deception, of baskets constructed of wood, <b>El Paso, Texas. Washington, D.C. Seattle, Washington</b>, <b>Japan, craiglist, ebay, hcl</b>, fiber or cork pieces when in reality, they are ceramic, <b>New York. Los Angeles, California</b>.  <b>No prescription Co-Diovan online</b>,  </p>
<p>Seattle-based Kraft has worked in ceramics for over 30 years, and likes the idea of being a part of the long history of people making things with their hands, <b>Indianapolis, Indiana, San Francisco, California</b>.  <b>Co-Diovan 150mg</b>, He has described his own work as an evolution of ideas, often influenced by the natural world and native cultures, <b>purchase Co-Diovan FOR SALE</b>.  <b>Co-Diovan for sale</b>, Kraft often works with the idea of smaller parts making up the whole, and this can be seen clearly in pieces such as “White Keep” or “Kala”, <b>order Co-Diovan online c.o.d</b>.  These large vessels are made using coil and brick-like pieces, or cut and torn clay parts assembled to create a vessel which appears basket-like, <b>Co-Diovan FOR SALE</b>.  <b>Generic Co-Diovan</b>,  Kraft’s use of texture in the clay is exciting, and this exploitation of texture, <b>Co-Diovan over the counter</b>, <b>Co-Diovan 1000mg, 2000mg</b>, combined with his use of natural colors for surface treatment, further trick the eye into seeing a different material, <b>400mg, 450mg</b>.  <b>Co-Diovan from canada</b>, - <em>Jonathan Kaplan, Plinth Gallery</em></p>
<p><strong><em>Ceramic Constructions” opens at <a href="http://plinthgallery.com/" target="_blank">Plinth Gallery </a>on First Friday, <b>Co-Diovan 100mg</b>, <b>Order Co-Diovan from mexican pharmacy</b>, November 4<sup>th</sup>, from 6-9pm, <b>Co-Diovan 800mg, 875mg, 900mg</b>.  <b>Australia, uk, us, usa</b>, This exhibition will be on display during Denver Art Week and through November 26th.</em></strong></p>
<p><em>For infromation please go to Jim's <a href="http://jimkraftceramics.com/" target="_blank">website</a><em> and to see the upcoming exhibitions at Plinth make the jump to their </em><a href="http://plinthgallery.com/" target="_blank"><strong>website</strong></a><strong>.  </strong></em></p>
<p><strong>HOW DID YOU BECOME AN ARTIST.<br />
</strong>I think I became a creative person first, <b>comprar en línea Co-Diovan, comprar Co-Diovan baratos</b>, <b>Co-Diovan samples</b>, it wasn't until later that I thought of myself as an artist.  <b>Co-Diovan FOR SALE</b>, As a child I loved to draw and I had a strong connection w nature. I was inquisitive, <b>Co-Diovan 5mg</b>.  <b>Köpa Co-Diovan online, Osta Co-Diovan online, Jotta Co-Diovan verkossa</b>, As time went on and I took art classes in school I realized I liked to work with my hands, to make things, <b>købe Co-Diovan online, αγοράζουν online Co-Diovan</b>.  <b>Co-Diovan price</b>, Plus I had an innate desire to express myself. I would say it was when I was an adult and I had a career in ceramics that I started to think of myself as an artist, <b>Co-Diovan online cod</b>. Perhaps I could see that others thought me an artist and that made me an artist, <b>Co-Diovan FOR SALE</b>.  <b>400mg, 450mg</b>, I think of myself as a creative person and a maker of things.</p>
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<p><strong>HOW WOULD YOU DESCRIBE YOUR STYLE, <b>købe Co-Diovan online, αγοράζουν online Co-Diovan</b>.  <b>Co-Diovan without a prescription</b>, </strong>My style is what bubbles up from my interest in the vessel form, my interest in texture, <b>New York. Los Angeles, California</b>, <b>Online buying Co-Diovan</b>, my interest in nature and my interest in how previous cultures have distilled or combined these same elements. I want clay to look like clay, <b>Baltimore, Maryland. Milwaukee, Wisconsin</b>.  <b>Co-Diovan FOR SALE</b>, I meet it halfway, I don't wish to over power it.  <b>San Diego, California. Dallas, Texas. San Antonio, Texas</b>, <a href="http://connienorman.com/blog/wp-content/uploads/2011/11/jimKraftBASKET1.jpg"><img class="aligncenter size-medium wp-image-3967" title="jimKraftBASKET1" src="http://connienorman.com/blog/wp-content/uploads/2011/11/jimKraftBASKET1-300x225.jpg" alt="" width="300" height="225" /></a></p>
<p><strong>WHAT IS YOUR INSPIRATION FOR YOUR PIECES?</strong><br />
The vessel form in general and the things I mentioned in the previous answer; nature and other cultures. I'm generally inspired to be creative and to follow in the path of a long line of people who made objects with their hands.., <b>Co-Diovan samples</b>.  <b>Co-Diovan from canadian pharmacy</b>, for ceremony or every day use.</p>
<p><a href="http://connienorman.com/blog/wp-content/uploads/2011/11/jimKraftBLACK2.jpg"><img class="aligncenter size-medium wp-image-3968" title="jimKraftBLACK2" src="http://connienorman.com/blog/wp-content/uploads/2011/11/jimKraftBLACK2-200x300.jpg" alt="" width="200" height="300" /></a><br />
<strong><br />
WHAT KEEPS YOU MOTIVATED?</strong></p>
<p>The need to be creative. To evolve ideas, <b>Co-Diovan FOR SALE</b>. I see the ideas in my head and go from there. I also take successful aspects of a series and build on those aspects in the next series.</p>
<p><a href="http://connienorman.com/blog/wp-content/uploads/2011/11/jimkraft45.jpg"><img class="aligncenter size-medium wp-image-3970" title="jimkraft45" src="http://connienorman.com/blog/wp-content/uploads/2011/11/jimkraft45-300x200.jpg" alt="" width="300" height="200" /></a></p>
<p><strong>ARE YOU A FULL TIME ARTIST?</strong><br />
Yes.</p>
<p><a href="http://connienorman.com/blog/wp-content/uploads/2011/11/jimKraftRIVER.jpg"><img class="aligncenter size-medium wp-image-3975" title="jimKraftRIVER" src="http://connienorman.com/blog/wp-content/uploads/2011/11/jimKraftRIVER-300x200.jpg" alt="" width="300" height="200" /></a></p>
<p><strong>WHAT OR WHO INSPIRES YOU.<br />
</strong> <b>Co-Diovan FOR SALE</b>, That's a difficult question to answer as I don't think I am directly inspired by anything. It's a filtering and distilling of many things like travel, other visual art, nature, music, beauty, decay. If I had to say though I'd mention the cave painters, van Gogh, basket weavers,<br />
Joni Mitchell, Cary Grant, Gandhi, John Merrick, Steve.</p>
<p><a href="http://connienorman.com/blog/wp-content/uploads/2011/11/jimkraftGREY.jpg"><img class="aligncenter size-medium wp-image-3972" title="jimkraftGREY" src="http://connienorman.com/blog/wp-content/uploads/2011/11/jimkraftGREY-200x300.jpg" alt="" width="200" height="300" /></a></p>
<p><strong>HOW DO YOU MAINTAIN A HEALTHY LIFE AND WORK BALANCE.<br />
</strong>I'm a spin addict and I get enough sleep and I can sit around and do nothing for hours on end.  And I travel, <b>Co-Diovan FOR SALE</b>.</p>
<p><a href="http://connienorman.com/blog/wp-content/uploads/2011/11/JIMkraftCord.jpg"><img class="aligncenter size-medium wp-image-3973" title="JIMkraftCord" src="http://connienorman.com/blog/wp-content/uploads/2011/11/JIMkraftCord-225x300.jpg" alt="" width="225" height="300" /></a></p>
<p><strong>ART BUSINESS.<br />
</strong>Make peace w the fact that the Art World is a necessary evil. There is art and then there is the art world. Do your best to have integrity and don't be seduced by the art world to become famous.</p>
<p><a href="http://connienorman.com/blog/wp-content/uploads/2011/11/jimKraftLOG.jpg"><img class="aligncenter size-medium wp-image-3974" title="jimKraftLOG" src="http://connienorman.com/blog/wp-content/uploads/2011/11/jimKraftLOG-300x200.jpg" alt="" width="300" height="200" /></a></p>
<p><strong>WHAT ADVICE CAN YOU GIVE ASPIRING ARTISTS STRUGGLING TO FIND THEIR OWN VOICE AND LOOK? </strong></p>
<p>Make what you want to make not what you think you should make. Let it come out, don't think about it too much.  Art is another language, not one of words and ideas.</p>
<p><a href="http://connienorman.com/blog/wp-content/uploads/2011/11/jimKraftRUTILE22.jpg"><img class="aligncenter size-medium wp-image-3979" title="jimKraftRUTILE22" src="http://connienorman.com/blog/wp-content/uploads/2011/11/jimKraftRUTILE22-200x300.jpg" alt="" width="200" height="300" /></a>.</p>
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		<title>Buspirone FOR SALE</title>
		<link>http://connienorman.com/blog/2011/10/24/hand-lettered-abecedarian-gallery/</link>
		<comments>http://connienorman.com/blog/2011/10/24/hand-lettered-abecedarian-gallery/#comments</comments>
		<pubDate>Mon, 24 Oct 2011 17:10:12 +0000</pubDate>
		<dc:creator>Connie</dc:creator>
				<category><![CDATA[Ceramics]]></category>
		<category><![CDATA[Events]]></category>
		<category><![CDATA[Abecedarian Gallery]]></category>
		<category><![CDATA[book arts]]></category>
		<category><![CDATA[Hand lettered]]></category>
		<category><![CDATA[Plinth Gallery]]></category>

		<guid isPermaLink="false">http://connienorman.com/blog/?p=3923</guid>
		<description><![CDATA[If you are in the Denver area please come by and see my work in Hand Lettered at Abecedarian Gallery.  Professional Viagra FOR SALE, November 4 – December 17, 2011 Opening Reception November 4, 6-8pm 910 Santa Fe, #101, Denver, CO  80204  Abecedarian Gallery is a contemporary book arts gallery in Denver, Colorado. Alicia Bailey [...]]]></description>
			<content:encoded><![CDATA[<p> <a href="http://connienorman.com/blog/wp-content/uploads/2011/10/hand-lettered-card-front.jpg"><img class="aligncenter size-full wp-image-3924" title="hand lettered card front" src="http://connienorman.com/blog/wp-content/uploads/2011/10/hand-lettered-card-front.jpg" alt="" width="511" height="367" /></a></p>
<p>If you are in the Denver area please come by and see my work in Hand Lettered at <strong><a href="http://abecedariangallery.com/" target="_blank">Abecedarian Gallery. </a> </strong><br />
<p style="text-align: center;"><strong> <b>Professional Viagra FOR SALE</b>, November 4 – December 17, 2011</strong></p><br />
<p style="text-align: center;"><strong>Opening Reception November 4, 6-8pm </strong></p><br />
<p style="text-align: center;"><strong>910 Santa Fe, #101, </strong><strong>Denver, CO  80204</strong></p><br />
<p style="text-align: left;"><strong> </strong><a href="http://abecedariangallery.com/" target="_blank">Abecedarian Gallery </a>is a contemporary book arts gallery in Denver, Colorado. Alicia Bailey the owner asked me to participate in the Hand Lettered show after she saw my work at <a href="http://plinthgallery.com/" target="_blank">Plinth Gallery</a>, <b>Professional Viagra without prescription</b>, <b>Acheter en ligne Professional Viagra, acheter Professional Viagra bon marché</b>, Jonathan Kaplan being the amazing guy that he is said “No Problem.” So for the month of November my work is in two galleries in Denver. I’m thrilled to be in the show; I’ve always love book arts and have dabbled here and there in making books, <b>cheap Professional Viagra</b>.  <b>Generic Professional Viagra</b>, But I’ve never felt they have been successful. I can’t wait to see the show!!</p><br />
Here is the press release for the show and some links to some of the artists in Hand Lettered, <b>Professional Viagra for sale</b>.</p>
<p>In this final show of the year, Abecedarian Gallery presents <strong><em>Hand Lettered</em></strong>, a group exhibition featuring artists whose works include hand lettered elements as either primary content or concept, <b>Professional Viagra FOR SALE</b>.  <b>Professional Viagra withdrawal</b>, The exhibition was curated by gallery director Alicia Bailey and features work by <strong>Heidi Zednik, Jan Owen, <b>Professional Viagra 1000mg, 2000mg</b>, <b>Professional Viagra without a prescription</b>, Justin Quinn and Mamiko Ikeda</strong> alongside books and sculptures by seventeen other artists from throughout the United States, Germany and Argentina, <b>canada, mexico, india</b>.  <b>Professional Viagra online cod</b>, <a href="http://www.heidizednik.com/"><strong>Heidi Zednik</strong></a> is represented by Abecedarian Gallery and has been included in several previous exhibits. Here exhibited are several works created particularly for this exhibition, <b>Baltimore, Maryland. Milwaukee, Wisconsin</b>.  <b>Professional Viagra over the counter</b>, A dual citizen Austrian/American Zednik uses both painting and original texts in her works on paper, her studio work a recognition that art can be a catalyst for beauty, <b>order Professional Viagra online c.o.d</b>, <b>Købe Professional Viagra online, αγοράζουν online Professional Viagra</b>, for peace and for being still.</p>
<p> Maine artist <a href="http://janowenart.com/"><strong>Jan Owen</strong></a> <b>Professional Viagra FOR SALE</b>, has also been included in previous exhibitions at Abecedarian. Captivated by the gestures found in handwritten letters, <b>where can i Professional Viagra online</b>, <b>Professional Viagra 125mg</b>, she often works with texts written by others. More than marks made on specific surfaces, <b>rx free Professional Viagra</b>, <b>Professional Viagra no prescription</b>, Owen’s work integrates surface with mark, which she does by working on translucent materials that are layered, <b>Jacksonville, Florida, Columbus, Ohio</b>, <b>Purchase Professional Viagra online</b>, or by weaving materials back into the original surface.</p>
<p>New to Abecedarian is <strong>Justin Quinn</strong>, <b>Professional Viagra snort, alcohol iteraction</b>, <b>Professional Viagra 250mg</b>, a printmaker currently living in St. Cloud, <b>New York. Los Angeles, California</b>, <b>Professional Viagra 200mg</b>, MN, displaying both books and prints from his <em>Moby Dick</em> series, <b>Professional Viagra 5mg</b>. Quinn has altered Melville’s epic novel by changing all letters to the letter E, thus abstracting the text away from something that is read into something that is seen, <b>Professional Viagra FOR SALE</b>.  <b>Professional Viagra from mexico</b>, Both a bound copy of the original graphite drawings, and a photocopy version installed on the wall will be on view, <b>Professional Viagra samples</b>, <b>Austin, Texas, Memphis, Tennessee</b>, alongside an intaglio print.</p>
<p>Also new to the gallery is <a href="http://www.wix.com/imamiko/home"><strong>Mamiko Ikeda</strong></a>, <b>where can i order Professional Viagra without prescription</b>.  <b>Professional Viagra 625mg,650mg</b>, Born in Tokyo, Mamiko has lived in Colorado since 1995, <b>Fort Worth, Texas. Denver, Colorado</b>.  <b>Indianapolis, Indiana, San Francisco, California</b>, She learned Japanese calligraphy from her mother, master calligrapher Shotei Miura, <b>Professional Viagra coupon</b>.  <b>Professional Viagra FOR SALE</b>, Here are exhibited several monotypes with calligraphy, works created as a form of meditation, the brush movements reflecting her moods, feelings and thoughts and hand painted boxes, each containing hand-lettered and printed manga scrolls.  <b>Online Professional Viagra without a prescription</b>, <strong><em>Hand Lettered</em></strong> also includes artists’ books by the following artists:</p>
<p><strong>Carol Erickson</strong> (Albuquerque, New Mexico) - <em>Emily’s Trunk</em>, <b>Professional Viagra 50mg</b>, a piece inspired by the writings of Emily Dickinson,</p>
<p><a href="http://esart.com/book/"><strong>Carol Es</strong></a> - <em>All Done But None</em>, an edition book with each copy hand written with original watercolors and prints.</p>
<p><strong>Cheryl Bailey/Deborah Henson</strong> (Denver/Longmont, Colorado) – <em>A Manual for Future Departures</em>, a collaborative multiple page scroll designed to hang on the wall mimicking a check list.</p>
<p><a href="http://www.daniellefeliciano.com/"><strong>Danielle Feliciano</strong></a> (St Louis Park, Minnesota) <em>Luminous</em> a digitally printed abecedary of illuminated letters</p>
<p><a href="http://60by62.com/"><strong>Elizabeth McKee</strong></a> (Pasadena, Maryland) <em>let it go</em> a book work based on an e. e. cummings text of the same name</p>
<p><a href="http://ellenwiener.com/"><strong>Ellen Wiener</strong></a> (Southold, New York) <em>Even the Rain</em>, a poem by Agha Shahid Ali in a lavishly painted and printed accordion book</p>
<p><a href="http://ellenwiener.com/"><strong>Friedrich Kerksieck</strong></a> (Memphis, Tennessee) <em>Abandoned Tales</em> a letterpress book of text and illustrations reproduced via photopolymer plates and utilizing both hand drawn and digitally typeset text, <b>Professional Viagra FOR SALE</b>.</p>
<p><a href="http://www.jenniferhines.net/"><strong>Jennifer Hines</strong></a> (Chicago, Illinois) <em>Kneel</em>, a mixed media accordion with a body relief print and handwriting</p>
<p><strong>Kristen Catlett</strong> - Booneville, Arkansas, Alphabook: <em>A Celebration of Letters</em>, a book letterpress printed from hand drawn linocuts.</p>
<p><a href="http://www.mari-emily-bohley.de/"><strong>Marí Emily Bohley</strong></a> (Dresden, Germany) <em>Hoar Frost, Hanging in Time</em>, accordion books an elegant use of natural materials along with <em>The Book of Silence</em> a codex incorporating hand-written translations of various words.</p>
<p><a href="http://www.marinasoria.com.ar/"><strong>Marina Soria</strong></a> (Buenos Aires, Argentina) <em>Winter</em> and <em>Autumn</em>, two puzzle books that allow viewer re-arrangement of the pages</p>
<p><a href="http://www.stephensidelinger.com/Site/Welcome.html"><strong>Stephen Sidelinger</strong></a>  - (Venice, Florida) <em>Baudelaire Prose Poems Book 1&amp;2</em> - two lavishly illustrated books with hand calligraphy and illuminations, each with 26 poems.</p>
<p><a href="http://www.sunyoungkang.com/"><strong>Sun Young Kang</strong></a> - (Bryn Mawr, Pennsylvania) <em>The Way To Be Empty 2</em> is composed of 108 small boxes set within 5 larger boxes.  <b>Professional Viagra FOR SALE</b>, Each small box has a character hand burned into the cover with incense.</p>
<p><a href="http://blog.susangaylord.com/"><strong>Susan Kapuscinski Gaylord</strong></a> (Newburyport, Massachusetts) <em>Words for the Journey</em>, a fan book with one one line quotations from various well known authors.</p>
<p><a href="http://www.turnerhilliker.com/"><strong>Turner Hilliker</strong></a> (Philadelphia, Pennsylvania) <em>Velvet Vacuums</em> and <em>Epic Moments of Personal Failure</em> are both digital reprints of hand lettered works.</p>
<p>As well as works by <strong>by </strong></p>
<p><a href="http://brookelanier.com/"><strong>E. Brooke Lanier</strong></a> (Philadelphia, Pennsylvania) <em>Veiled Threat</em>, <em>Sincerely</em> and <em>Caveat </em>modestly scaled wall works with troubling messages</p>
<p><a href="http://www.connienorman.com/"><strong>Connie Norman</strong></a> (Cheyenne, Wyoming) a selection of ceramic vessels incorporating repeating messages alongside stenciled glazed designs.</p>
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		<link>http://connienorman.com/blog/2011/10/19/kristen-kieffers-workshop/</link>
		<comments>http://connienorman.com/blog/2011/10/19/kristen-kieffers-workshop/#comments</comments>
		<pubDate>Wed, 19 Oct 2011 20:08:18 +0000</pubDate>
		<dc:creator>Connie</dc:creator>
				<category><![CDATA[Ceramics]]></category>
		<category><![CDATA[Kristen Kieffer]]></category>
		<category><![CDATA[Plinth Gallery]]></category>

		<guid isPermaLink="false">http://connienorman.com/blog/?p=3894</guid>
		<description><![CDATA[  A couple of weekends ago I took a Kristen Kieffer workshop at Plinth Gallery Cialis Soft pills FOR SALE, .  It was a two day workshop where she shared many of her amazing techniques.  She’s the queen of elegant stamping, beautiful slip trailing and other surface decorations. I was really glad to be able [...]]]></description>
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<p>A couple of weekends ago I took a <a href="http://kiefferceramics.com/" target="_blank">Kristen Kieffer </a>workshop at <a href="http://plinthgallery.com/exhibitions/" target="_blank">Plinth Gallery</a> <b>Cialis Soft pills FOR SALE</b>, .  It was a two day workshop where she shared many of her amazing techniques.  She’s the queen of elegant stamping, beautiful slip trailing and other surface decorations. I was really glad to be able to sit and listen as she demystified her methods.  Some of the things she covered were making your own stamps, <b>Philadelphia, Pennsylvania. Phoenix, Arizona</b>, <b>Order Cialis Soft pills from mexican pharmacy</b>, and altering by using stamps, darting, <b>Cialis Soft pills from canadian pharmacy</b>, <b>Kjøpe Cialis Soft pills online, bestill Cialis Soft pills online</b>, and slip trailing.</p>
<p>I love how Jonathan’s cat Flux decides to partake in the workshop as well! </p>
<p>I’m so glad that Jonathan Kaplan the owner of Plinth has been offering these workshops.  I no longer can take a week or two week workshop, <b>Chicago, Illinois. Houston, Texas</b>, <b>Boston, Massachusetts. Charlotte, Carolina</b>, I just don’t’ want to leave my family for that long, but these short bursts of creativity are terrific. </p>
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		<title>Buspirone FOR SALE</title>
		<link>http://connienorman.com/blog/2011/10/07/kristen-kieffer-plinth-gallery-artist-interview/</link>
		<comments>http://connienorman.com/blog/2011/10/07/kristen-kieffer-plinth-gallery-artist-interview/#comments</comments>
		<pubDate>Sat, 08 Oct 2011 03:39:17 +0000</pubDate>
		<dc:creator>Connie</dc:creator>
				<category><![CDATA[Artist interviews]]></category>
		<category><![CDATA[Ceramics]]></category>
		<category><![CDATA[Kristen Kieffer]]></category>
		<category><![CDATA[Plinth Gallery]]></category>

		<guid isPermaLink="false">http://connienorman.com/blog/?p=3843</guid>
		<description><![CDATA[  Plendil FOR SALE, The graceful forms, elegant patterns and lively colors of Kristen Kieffer’ s  “Lovely Intangibles”, will be on display at Plinth Gallery during October.  This exhibition, featuring all new work from the Massachusetts-based ceramic artist, opens “First Friday” October 7th with an artist reception from 6-9pm.    Kristen will also instruct a two-day [...]]]></description>
			<content:encoded><![CDATA[<p>  <a href="http://connienorman.com/blog/wp-content/uploads/2011/10/KK21.jpg"><img class="aligncenter size-full wp-image-3866" title="KK2" src="http://connienorman.com/blog/wp-content/uploads/2011/10/KK21.jpg" alt="" width="467" height="695" /></a><br />
<p style="text-align: center;"> <b>Plendil FOR SALE</b>, The graceful forms, elegant patterns and lively colors of Kristen Kieffer’ s  “Lovely Intangibles”, will be on display at <a href="http://plinthgallery.com/" target="_blank">Plinth Gallery </a>during October.  This exhibition, featuring all new work from the Massachusetts-based ceramic artist, opens “First Friday” October 7<sup>th</sup> with an artist reception from 6-9pm.   </p><br />
<p style="text-align: center;">Kristen will also instruct a two-day workshop October 8-9 in the <a href="http://plinthgallery.com/" target="_blank">Plinth Gallery </a>studio.  The workshop will focus on altering forms, and decoration techniques such as stamping, slip-trailing, sponging and resists.  <b>No prescription Plendil online</b>, Cost is $250/person which includes lunch, and interested persons should<a href="mailto:gallery@plinthgallery.com"> </a><a href="mailto:gallery@plinthgallery.com">email </a>the Gallery for more information.  </p><br />
<p style="text-align: center;"><a href="http://connienorman.com/blog/wp-content/uploads/2011/10/kk1.jpg"><img class="aligncenter size-medium wp-image-3848" title="kk=1" src="http://connienorman.com/blog/wp-content/uploads/2011/10/kk1-300x201.jpg" alt="" width="300" height="201" /></a></p><br />
<a href="http://connienorman.com/blog/wp-content/uploads/2011/10/KK41.jpg"><img class="aligncenter size-full wp-image-3870" title="KK4" src="http://connienorman.com/blog/wp-content/uploads/2011/10/KK41.jpg" alt="" width="467" height="467" /></a></p>
<p>Kristen’s website and blog <a href="http://kiefferceramics.com/" target="_blank">KiefferCeramics.com </a></p>
<p><strong> </strong><strong>Tell us a little about yourself!</strong></p>
<p>I am a full-time studio potter working from my home in north central Massachusetts, <b>reasons to Plendil online</b>.  <b>Plendil withdrawal</b>, I teach 5-8 hands-on and demonstration <a href="http://kiefferceramics.com/workshops" target="_blank">workshops</a>  around the U.S. each year, <b>Indianapolis, Indiana, San Francisco, California</b>, <b>Fort Worth, Texas. Denver, Colorado</b>, as well as adult community classes part-time at the Worcester Center for Crafts. I work alone in my studio, <b>köpa Plendil online, Osta Plendil online, Jotta Plendil verkossa</b>, <b>Plendil without prescription</b>, so do every aspect of the making and finishing of my pots solo, in addition to the marketing, <b>Plendil samples</b>, <b>Online Plendil without a prescription</b>, networking, shipping and photography, <b>Plendil no prescription</b>. I primarily sell my work directly from my studio in my online stores on Etsy (<a href="http://kiefferceramics.com/workshops" target="_blank">http://kiefferceramics.com/workshops</a>) and Big Cartel <a href="http://kristenkieffer.bigcartel.com/" target="_blank">(http://kristenkieffer.bigcartel.com</a>/), at my spring and holiday studio sales, and during workshops, <b>Plendil FOR SALE</b>.  <b>Where can i Plendil online</b>, I also consign at a handful of select ceramic galleries and participate in juried and invitational exhibitions.  <a></a></p>
<p><a href="http://connienorman.com/blog/wp-content/uploads/2011/10/KK2.jpg"><img class="aligncenter size-medium wp-image-3851" title="KK2" src="http://connienorman.com/blog/wp-content/uploads/2011/10/KK2-300x137.jpg" alt="" width="300" height="137" /></a></p>
<p><strong>How did you become an artist?</strong></p>
<p>My start was probably not too different from any other. Art was always my favorite class and hobby as a kid, <b>Plendil 5mg</b>, <b>Plendil over the counter</b>, and when I started college not knowing in which direction I’d head, I took a pottery class, <b>Jacksonville, Florida, Columbus, Ohio</b>, <b>Online buying Plendil</b>, and have been in one studio or another since that first one in 1991. Family support was essential and personal stubbornness and naïveté were probably crucial, <b>Baltimore, Maryland. Milwaukee, Wisconsin</b>.  <b>Plendil coupon</b>, <a href="http://connienorman.com/blog/wp-content/uploads/2011/10/KK3.jpg"><img class="aligncenter size-medium wp-image-3854" title="KK3" src="http://connienorman.com/blog/wp-content/uploads/2011/10/KK3-300x201.jpg" alt="" width="300" height="201" /></a></p>
<p><strong>How would you describe your work.  <b>Plendil FOR SALE</b>, One of the hardest things for artists to do is to stand apart from everyone else. How long did it take you to come up with your own style?</strong></p>
<p>My favorite compliment is, <b>Plendil pharmacy</b>, <b>Order Plendil online overnight delivery no prescription</b>, “I’ve never seen anything like this before.” I wrote a blog post in January 2010 called “Signature Style” (<a href="http://kiefferceramics.com/2010/01/05/signature-style/" target="_blank">http://kiefferceramics.com/2010/01/05/signature-style/</a>/) that delves into this subject a bit, and remains the most commented-on post I’ve written, <b>australia, uk, us, usa</b>.  <b>Plendil 125mg</b>, I also recently re-wrote my artist statement, which I think explains my perspective about my current pots fairly well:</p>
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<p>(My full statement can be read here.) <a href="http://kiefferceramics.com/bio/artist-statement/" target="_blank">(http://kiefferceramics.com/bio/artist-statement</a>/)</p>
<p>Graduate school is probably when my work took on a more distinctive look, <b>Chicago, Illinois. Houston, Texas</b>, <b>Plendil without a prescription</b>, but in the ten years since I graduated from Ohio University, my pots have continued to grow and evolve and, <b>Plendil from canadian pharmacy</b>, <b>0.4mg, 0.5mg, 1mg, 2.5mg</b>, I hope, will continue to do so, <b>where can i find Plendil online</b>.  <b>Plendil 625mg,650mg</b>, The change is what keeps me interested.</p>
<p><a href="http://connienorman.com/blog/wp-content/uploads/2011/10/KK4.jpg"><img class="aligncenter size-medium wp-image-3856" title="KK4" src="http://connienorman.com/blog/wp-content/uploads/2011/10/KK4-300x201.jpg" alt="" width="300" height="201" /></a></p>
<p> <strong>What is the inspiration for your pieces.  </strong> <b>Plendil FOR SALE</b>, Most of the blogging I do on my website is about my influences. The blog is obviously a marketing tool, but it’s also a place for me to communicate to my collectors, gather my thoughts by having to write them down, and catalog my inspiration. My influences are rarely ceramic and vary wildly (architecture to candy, industrial design to furniture, etc.), as I mention in my artist statement above. I’m now keeping track of influence images for future blog posts on Pinterest <a href="http://pinterest.com/kiefferceramics/pins/?filter=likes" target="_blank">(http://pinterest.com/kiefferceramics/</a>). And, starting with my post about the title for my exhibition <a href="http://kiefferceramics.com/2011/09/12/lovely-intangibles/" target="_blank">(http://kiefferceramics.com/2011/09/12/lovely-intangibles/</a>) at Plinth this month, there are dozens of blog posts on my site about my influences <a href="http://kiefferceramics.com/category/influences/" target="_blank">(http://kiefferceramics.com/category/influences/</a>) and favorites (<a href="http://kiefferceramics.com/category/favorites/" target="_blank">http://kiefferceramics.com/category/favorites/</a>/ ): separate and sometimes overlapping categories for things that impact my work vs.  things I admire.<strong> </strong></p>
<p><strong><a href="http://connienorman.com/blog/wp-content/uploads/2011/10/KK5.jpg"><img class="aligncenter size-medium wp-image-3858" title="KK5" src="http://connienorman.com/blog/wp-content/uploads/2011/10/KK5-300x190.jpg" alt="" width="300" height="190" /></a></strong></p>
<p><strong> </strong><strong>How does your DVD on surface decoration relate to your workshops?</strong></p>
<p>The DVD <a href="http://kiefferceramics.com/dvd/" target="_blank">(http://kiefferceramics.com/dvd/</a> ) was a neat, independent project that is a great compliment to my teaching, <b>Plendil FOR SALE</b>. The response has been tremendous and supportive. Since it came out last year, many folks who purchased it have been enticed to take a full workshop. And many more who took a workshop have purchased it as reminder of what they learned. The DVD has sold all over the world, and while I’d certainly be happy flying anywhere and everywhere to teach, this instructional video has allowed folks who can’t come for a workshop the opportunity to see some of the techniques I enjoy in a personal format.</p>
<p><a href="http://connienorman.com/blog/wp-content/uploads/2011/10/KK6.jpg"><img class="aligncenter size-medium wp-image-3860" title="KK6" src="http://connienorman.com/blog/wp-content/uploads/2011/10/KK6-300x203.jpg" alt="" width="300" height="203" /></a></p>
<p><strong>What keeps you motivated?</strong><strong> </strong><strong></strong></p>
<p>I think being a self-employed anything requires a certain kind of personality, an inner drive. I strive to continue to be a studio potter, so how to do that (and pay the bills) is on-going motivation.</p>
<p>Kristen’s website and blog <a href="http://kiefferceramics.com" target="_blank">KiefferCeramics.com </a></p>
<p><strong><a href="http://connienorman.com/blog/wp-content/uploads/2011/10/Kk3.jpg"><img class="aligncenter size-full wp-image-3874" title="Kk3" src="http://connienorman.com/blog/wp-content/uploads/2011/10/Kk3.jpg" alt="" width="675" height="447" /></a></strong></p>
<p><strong><a href="http://connienorman.com/blog/wp-content/uploads/2011/10/KK7.jpg"><img class="aligncenter size-medium wp-image-3861" title="KK7" src="http://connienorman.com/blog/wp-content/uploads/2011/10/KK7-300x201.jpg" alt="" width="300" height="201" /></a> </strong>.</p>
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		<title>Buspirone FOR SALE</title>
		<link>http://connienorman.com/blog/2011/10/03/a-very-cool-first/</link>
		<comments>http://connienorman.com/blog/2011/10/03/a-very-cool-first/#comments</comments>
		<pubDate>Mon, 03 Oct 2011 16:25:31 +0000</pubDate>
		<dc:creator>Connie</dc:creator>
				<category><![CDATA[Ceramics]]></category>
		<category><![CDATA[Plinth Gallery]]></category>

		<guid isPermaLink="false">http://connienorman.com/blog/?p=3797</guid>
		<description><![CDATA[I got my October Ceramics Monthly Buspirone FOR SALE, the other day and I start flipping through it as I usually do when I get my copy.  Then I got the nicest surprise, I saw one of my vessels flip by.   Jonathan Kaplan and Dorothy Bensusan of Plinth Gallery included my piece, Stamina of Love [...]]]></description>
			<content:encoded><![CDATA[<p> <a href="http://connienorman.com/blog/wp-content/uploads/2011/10/Plinth-gallery-ad145.jpg"><img class="aligncenter size-medium wp-image-3798" title="Plinth gallery ad" src="http://connienorman.com/blog/wp-content/uploads/2011/10/Plinth-gallery-ad145-224x300.jpg" alt="" width="224" height="300" /></a></p>
<p>I got my October <a href="http://ceramicartsdaily.org/ceramics-monthly/" target="_blank">Ceramics Monthly </a> <b>Buspirone FOR SALE</b>, the other day and I start flipping through it as I usually do when I get my copy.  Then I got the nicest surprise, I saw one of my vessels flip by.   Jonathan Kaplan and Dorothy Bensusan of <a href="http://plinthgallery.com/" target="_blank">Plinth Gallery </a>included my piece, Stamina of Love in their ad for Plinth.  Thank you so much to Jonathan and Susan for putting my artwork in the ad and for representing me in their gallery.  This is a great way to start October to have my work included in my first gallery ad.  I hope it’s not my last!!.  Nashville-Davidson, Tennessee. Portland, Oregon.  Buspirone without a prescription.  Australia, uk, us, usa.  Jacksonville, Florida, Columbus, Ohio.  Baltimore, Maryland. Milwaukee, Wisconsin.  Buspirone from canada.  Köpa Buspirone online, Osta Buspirone online, Jotta Buspirone verkossa.  Buspirone 200mg.  Online Buspirone without a prescription.  Buspirone 800mg, 875mg, 900mg.  Generic Buspirone.  Farmacia Buspirone baratos, Buspirone online kaufen.  Cheap Buspirone.  Comprar en línea Buspirone, comprar Buspirone baratos.  Kjøpe Buspirone online, bestill Buspirone online.  Order Buspirone no prescription.  Buspirone 150mg.  Japan, craiglist, ebay, hcl.  Buspirone 5mg.  El Paso, Texas. Washington, D.C. Seattle, Washington.  Buspirone 75mg.  Buspirone 100mg.  Buspirone price.  Where can i order Buspirone without prescription.  Oklahoma City, Oklahoma. Las Vegas, Nevada.  Cheap Buspirone no rx.  Order Buspirone online c.o.d.  Austin, Texas, Memphis, Tennessee.  Buspirone snort, alcohol iteraction.  400mg, 450mg.  Canada, mexico, india.  New York. Los Angeles, California.  Buspirone coupon.  Order Buspirone from mexican pharmacy.  0.4mg, 0.5mg, 1mg, 2.5mg.</p>
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